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Violence has not really been an issue. Even in my wildest hopes, I wasn't trying to get violence in.
Mitchell Hurwitz
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Mitchell Hurwitz
Age: 61
Born: 1963
Born: May 29
Director
Film Actor
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Anaheim
California
Even
Trying
Really
Wildest
Hopes
Issue
Wasn
Violence
Issues
More quotes by Mitchell Hurwitz
There were a couple times when we started working out the stories - and I was doing this with Jim Vallely and our friend Dean Lorey, who was on the show originally - and we were working on a movie. There would be some fan fiction things that would scoop us. It happened a couple times, where I thought, Well, we can't do that!
Mitchell Hurwitz
Netflix will know everything. Netflix will know when a person stops watching it. They have all of their algorithms and will know that this person watched five minutes of a show and then stopped. They can tell by the behavior and the time of day that they are going to come back to it, based on their history.
Mitchell Hurwitz
I think of there being two conditions that creative people go through. I think it's fear and curiosity.
Mitchell Hurwitz
The people that always impress me are the ones that are curious about what they're going to do next.
Mitchell Hurwitz
It's very easy I think when you're a creative person to wait for the right thing and to start getting self-conscious about how you are going to express what you do and what's special about you. I would say in general, a lot of times the answer is that you just dive into something and you find your own voice through that process.
Mitchell Hurwitz
I don't know how that budget would have been worked out, but that was the initial idea. Obviously, we couldn't have had a show with nine expensive actors in it. It was very nice that they were even interested in doing that. But, I was so proud of what we'd done that I couldn't think of a compelling reason to do a lesser version of it.
Mitchell Hurwitz
People have outs for numbers of episodes, usually, written into their contract. Some studios will say, We're going to let Julia Louis-Dreyfus off of Veep to do three episodes, but not three episodes of the same show. But, that's all business affairs, so I'm talking over my head here.
Mitchell Hurwitz
I always liked magic. I was always embarrassed by liking magic because I liked the fact that they're just lying.
Mitchell Hurwitz
Television is so much about continuing to work with people.
Mitchell Hurwitz
It's very hard, I think, for critics to write positive reviews, because there's not that much to say about something you like. You can kind of say 'I really like that band' and then if you're forced to fill up the rest of an article, you've got to start saying heady things. It's much easier to say negative things in a review.
Mitchell Hurwitz
I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character? They really were a creative partner.
Mitchell Hurwitz
One of the challenges of the show has always been trying to be surprising, and that was easy to do when nobody was watching it. Now that people have started watching it, they get ahead of us. We've all started really guarding the material, just to make it fun for the audience.
Mitchell Hurwitz
I will tell you that we're all human beings, and we all care about what people think of us. But in general, their outlook is, We're not looking at opening night numbers. We're not looking at opening night box office. We want this to be part of the reason you come to our service.
Mitchell Hurwitz
I think everybody wants to be loved, all the time, but it's not realistic. It's also not realistic, if you're going to be ambitious, in terms of changing the form or evolving.
Mitchell Hurwitz
We started gearing our content more to what makes us laugh and stories we wanted to tell, and we had to decide, early on, to not be precious about it.
Mitchell Hurwitz
We figured the interesting question for them is, Where has the family been since 2006, since the last time we saw them? So, part of the time, we had to spend answering that question. Then, inevitably, it goes up to a point of crisis, in everyone's show. There was just no getting around that it was about 2006-2012.
Mitchell Hurwitz
Television is a very writer-driven business, and it's one of the few parts of entertainment where writers are treated with respect, only because they need you. If they didn't have to treat you with respect, they would be happy to dismiss you.
Mitchell Hurwitz
The executive producer title either means that you're the person who created, or co-created, the show, or you're the person who's in charge of day-to-day operations. Whereas producer is often just a writing credit.
Mitchell Hurwitz
They say to just write about what's happening in your backyard because that's where you find the most creativity. It's in the DNA of the show. There's no question.
Mitchell Hurwitz
I think that timing is everything. At first, it was too soon. And then, the time was right, but I was busy with other things, and the cast was busy with other things. By the time we sat down to work on the movie, enough time had passed that suddenly a different story emerged.
Mitchell Hurwitz
