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We figured the interesting question for them is, Where has the family been since 2006, since the last time we saw them? So, part of the time, we had to spend answering that question. Then, inevitably, it goes up to a point of crisis, in everyone's show. There was just no getting around that it was about 2006-2012.

Mitchell Hurwitz

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Mitchell Hurwitz
Age: 61
Born: 1963
Born: May 29
Director
Film Actor
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Anaheim
California
Family
Goes
Everyone
Since
Answering
Shows
Getting
Figured
Around
Interesting
Inevitably
Part
Lasts
Crisis
Time
Point
Saws
Last
Spend
Show
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More quotes by Mitchell Hurwitz

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Television is a very writer-driven business, and it's one of the few parts of entertainment where writers are treated with respect, only because they need you. If they didn't have to treat you with respect, they would be happy to dismiss you.
Mitchell Hurwitz
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I think that timing is everything. At first, it was too soon. And then, the time was right, but I was busy with other things, and the cast was busy with other things. By the time we sat down to work on the movie, enough time had passed that suddenly a different story emerged.
Mitchell Hurwitz
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We started gearing our content more to what makes us laugh and stories we wanted to tell, and we had to decide, early on, to not be precious about it.
Mitchell Hurwitz
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One of the challenges of the show has always been trying to be surprising, and that was easy to do when nobody was watching it. Now that people have started watching it, they get ahead of us. We've all started really guarding the material, just to make it fun for the audience.
Mitchell Hurwitz
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But, you have to watch them in order. That's very important because, as it turns out, stories have to be told in order. It's like reading a novel. There are times when it's tiring. And then, you get hooked and it's a page-turner, and you really want to keep reading. I do think there will be some fatigue that sets in.
Mitchell Hurwitz
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We will be looking at things like the confluence of a scene, and we still have all these creative decisions to make. In general, we're going to just try to make these under a half-hour. We're going to try to take that kind of cable TV comedy model.
Mitchell Hurwitz
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I think everybody wants to be loved, all the time, but it's not realistic. It's also not realistic, if you're going to be ambitious, in terms of changing the form or evolving.
Mitchell Hurwitz
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It's much easier to say negative things in a review.
Mitchell Hurwitz
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Television is so much about continuing to work with people.
Mitchell Hurwitz
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The TV industry works in this crazy system where everybody's trying to get the same actors at the same time.
Mitchell Hurwitz
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I don't know how that budget would have been worked out, but that was the initial idea. Obviously, we couldn't have had a show with nine expensive actors in it. It was very nice that they were even interested in doing that. But, I was so proud of what we'd done that I couldn't think of a compelling reason to do a lesser version of it.
Mitchell Hurwitz
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One of the best ways into the business is to get a job with a production, which you can do by cold-calling or by getting your résumé out there, and also through contacts. That's where nepotism really helps.
Mitchell Hurwitz
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They say to just write about what's happening in your backyard because that's where you find the most creativity. It's in the DNA of the show. There's no question.
Mitchell Hurwitz
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I always liked magic. I was always embarrassed by liking magic because I liked the fact that they're just lying.
Mitchell Hurwitz
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People have outs for numbers of episodes, usually, written into their contract. Some studios will say, We're going to let Julia Louis-Dreyfus off of Veep to do three episodes, but not three episodes of the same show. But, that's all business affairs, so I'm talking over my head here.
Mitchell Hurwitz
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There are a lot of things that are in the show that harken back to the old show, but I really wanted to resist doing a greatest hits. It was irresistible to do a greatest hits, but it was almost too easy. There are things that I know are still ahead of us, in the future of whatever Arrested Development brings.
Mitchell Hurwitz
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I think of there being two conditions that creative people go through. I think it's fear and curiosity.
Mitchell Hurwitz
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Regret is a tricky word. Here's a big secret: nobody knows what wasn't.
Mitchell Hurwitz
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The form came out of the function because it is for the audience that already knows the show, while hoping to get a new audience, too.
Mitchell Hurwitz
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There were a couple times when we started working out the stories - and I was doing this with Jim Vallely and our friend Dean Lorey, who was on the show originally - and we were working on a movie. There would be some fan fiction things that would scoop us. It happened a couple times, where I thought, Well, we can't do that!
Mitchell Hurwitz