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I think everybody wants to be loved, all the time, but it's not realistic. It's also not realistic, if you're going to be ambitious, in terms of changing the form or evolving.
Mitchell Hurwitz
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Mitchell Hurwitz
Age: 61
Born: 1963
Born: May 29
Director
Film Actor
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Anaheim
California
Going
Changing
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Think
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Thinking
Loved
Everybody
Evolving
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Ambitious
Form
Realistic
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Evolve
More quotes by Mitchell Hurwitz
We started gearing our content more to what makes us laugh and stories we wanted to tell, and we had to decide, early on, to not be precious about it.
Mitchell Hurwitz
Well, at the time, you have to remember that we were not successful. The Showtime offer, as it was presented to me, was half the money for half the show. I was not interested, at that point, in doing a smaller cast and a more simplified Arrested Development.
Mitchell Hurwitz
Violence has not really been an issue. Even in my wildest hopes, I wasn't trying to get violence in.
Mitchell Hurwitz
I always liked magic. I was always embarrassed by liking magic because I liked the fact that they're just lying.
Mitchell Hurwitz
Netflix will know everything. Netflix will know when a person stops watching it. They have all of their algorithms and will know that this person watched five minutes of a show and then stopped. They can tell by the behavior and the time of day that they are going to come back to it, based on their history.
Mitchell Hurwitz
I will tell you that we're all human beings, and we all care about what people think of us. But in general, their outlook is, We're not looking at opening night numbers. We're not looking at opening night box office. We want this to be part of the reason you come to our service.
Mitchell Hurwitz
I don't know how that budget would have been worked out, but that was the initial idea. Obviously, we couldn't have had a show with nine expensive actors in it. It was very nice that they were even interested in doing that. But, I was so proud of what we'd done that I couldn't think of a compelling reason to do a lesser version of it.
Mitchell Hurwitz
It's very easy I think when you're a creative person to wait for the right thing and to start getting self-conscious about how you are going to express what you do and what's special about you. I would say in general, a lot of times the answer is that you just dive into something and you find your own voice through that process.
Mitchell Hurwitz
Television is so much about continuing to work with people.
Mitchell Hurwitz
Television is a very writer-driven business, and it's one of the few parts of entertainment where writers are treated with respect, only because they need you. If they didn't have to treat you with respect, they would be happy to dismiss you.
Mitchell Hurwitz
Regret is a tricky word. Here's a big secret: nobody knows what wasn't.
Mitchell Hurwitz
We will be looking at things like the confluence of a scene, and we still have all these creative decisions to make. In general, we're going to just try to make these under a half-hour. We're going to try to take that kind of cable TV comedy model.
Mitchell Hurwitz
I joked recently that I thought 30 seconds a day for three years would be the best way to enjoy it, and I'm going to stand by that statement.
Mitchell Hurwitz
I hope to take advantage of the Netflix organism and see if there are ways to get in new material and see if there are ways to do deleted scenes.
Mitchell Hurwitz
We figured the interesting question for them is, Where has the family been since 2006, since the last time we saw them? So, part of the time, we had to spend answering that question. Then, inevitably, it goes up to a point of crisis, in everyone's show. There was just no getting around that it was about 2006-2012.
Mitchell Hurwitz
They say to just write about what's happening in your backyard because that's where you find the most creativity. It's in the DNA of the show. There's no question.
Mitchell Hurwitz
The form came out of the function because it is for the audience that already knows the show, while hoping to get a new audience, too.
Mitchell Hurwitz
I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character? They really were a creative partner.
Mitchell Hurwitz
There were a couple times when we started working out the stories - and I was doing this with Jim Vallely and our friend Dean Lorey, who was on the show originally - and we were working on a movie. There would be some fan fiction things that would scoop us. It happened a couple times, where I thought, Well, we can't do that!
Mitchell Hurwitz
The people that always impress me are the ones that are curious about what they're going to do next.
Mitchell Hurwitz