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One of the best ways into the business is to get a job with a production, which you can do by cold-calling or by getting your résumé out there, and also through contacts. That's where nepotism really helps.
Mitchell Hurwitz
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Mitchell Hurwitz
Age: 61
Born: 1963
Born: May 29
Director
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Film Producer
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Television Producer
Television Writer
Anaheim
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More quotes by Mitchell Hurwitz
There were a couple times when we started working out the stories - and I was doing this with Jim Vallely and our friend Dean Lorey, who was on the show originally - and we were working on a movie. There would be some fan fiction things that would scoop us. It happened a couple times, where I thought, Well, we can't do that!
Mitchell Hurwitz
Television is so much about continuing to work with people.
Mitchell Hurwitz
I will tell you that we're all human beings, and we all care about what people think of us. But in general, their outlook is, We're not looking at opening night numbers. We're not looking at opening night box office. We want this to be part of the reason you come to our service.
Mitchell Hurwitz
They say to just write about what's happening in your backyard because that's where you find the most creativity. It's in the DNA of the show. There's no question.
Mitchell Hurwitz
Well, at the time, you have to remember that we were not successful. The Showtime offer, as it was presented to me, was half the money for half the show. I was not interested, at that point, in doing a smaller cast and a more simplified Arrested Development.
Mitchell Hurwitz
We started gearing our content more to what makes us laugh and stories we wanted to tell, and we had to decide, early on, to not be precious about it.
Mitchell Hurwitz
I hope to take advantage of the Netflix organism and see if there are ways to get in new material and see if there are ways to do deleted scenes.
Mitchell Hurwitz
It's much easier to say negative things in a review.
Mitchell Hurwitz
One of the challenges of the show has always been trying to be surprising, and that was easy to do when nobody was watching it. Now that people have started watching it, they get ahead of us. We've all started really guarding the material, just to make it fun for the audience.
Mitchell Hurwitz
Netflix will know everything. Netflix will know when a person stops watching it. They have all of their algorithms and will know that this person watched five minutes of a show and then stopped. They can tell by the behavior and the time of day that they are going to come back to it, based on their history.
Mitchell Hurwitz
We will be looking at things like the confluence of a scene, and we still have all these creative decisions to make. In general, we're going to just try to make these under a half-hour. We're going to try to take that kind of cable TV comedy model.
Mitchell Hurwitz
It's very easy I think when you're a creative person to wait for the right thing and to start getting self-conscious about how you are going to express what you do and what's special about you. I would say in general, a lot of times the answer is that you just dive into something and you find your own voice through that process.
Mitchell Hurwitz
Violence has not really been an issue. Even in my wildest hopes, I wasn't trying to get violence in.
Mitchell Hurwitz
We mapped out the whole movie, and then worked backwards from that to do these shows. It might not be a movie. It might be something else.
Mitchell Hurwitz
I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character? They really were a creative partner.
Mitchell Hurwitz
The people that always impress me are the ones that are curious about what they're going to do next.
Mitchell Hurwitz
I think everybody wants to be loved, all the time, but it's not realistic. It's also not realistic, if you're going to be ambitious, in terms of changing the form or evolving.
Mitchell Hurwitz
I think of there being two conditions that creative people go through. I think it's fear and curiosity.
Mitchell Hurwitz
People have outs for numbers of episodes, usually, written into their contract. Some studios will say, We're going to let Julia Louis-Dreyfus off of Veep to do three episodes, but not three episodes of the same show. But, that's all business affairs, so I'm talking over my head here.
Mitchell Hurwitz
Television is a very writer-driven business, and it's one of the few parts of entertainment where writers are treated with respect, only because they need you. If they didn't have to treat you with respect, they would be happy to dismiss you.
Mitchell Hurwitz
