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Regret is a tricky word. Here's a big secret: nobody knows what wasn't.
Mitchell Hurwitz
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Mitchell Hurwitz
Age: 61
Born: 1963
Born: May 29
Director
Film Actor
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Anaheim
California
Regret
Nobody
Wasn
Secret
Word
Bigs
Tricky
More quotes by Mitchell Hurwitz
People have outs for numbers of episodes, usually, written into their contract. Some studios will say, We're going to let Julia Louis-Dreyfus off of Veep to do three episodes, but not three episodes of the same show. But, that's all business affairs, so I'm talking over my head here.
Mitchell Hurwitz
I think that timing is everything. At first, it was too soon. And then, the time was right, but I was busy with other things, and the cast was busy with other things. By the time we sat down to work on the movie, enough time had passed that suddenly a different story emerged.
Mitchell Hurwitz
There were a couple times when we started working out the stories - and I was doing this with Jim Vallely and our friend Dean Lorey, who was on the show originally - and we were working on a movie. There would be some fan fiction things that would scoop us. It happened a couple times, where I thought, Well, we can't do that!
Mitchell Hurwitz
I joked recently that I thought 30 seconds a day for three years would be the best way to enjoy it, and I'm going to stand by that statement.
Mitchell Hurwitz
I think of there being two conditions that creative people go through. I think it's fear and curiosity.
Mitchell Hurwitz
Netflix will know everything. Netflix will know when a person stops watching it. They have all of their algorithms and will know that this person watched five minutes of a show and then stopped. They can tell by the behavior and the time of day that they are going to come back to it, based on their history.
Mitchell Hurwitz
Violence has not really been an issue. Even in my wildest hopes, I wasn't trying to get violence in.
Mitchell Hurwitz
I think everybody wants to be loved, all the time, but it's not realistic. It's also not realistic, if you're going to be ambitious, in terms of changing the form or evolving.
Mitchell Hurwitz
Television is a very writer-driven business, and it's one of the few parts of entertainment where writers are treated with respect, only because they need you. If they didn't have to treat you with respect, they would be happy to dismiss you.
Mitchell Hurwitz
We started gearing our content more to what makes us laugh and stories we wanted to tell, and we had to decide, early on, to not be precious about it.
Mitchell Hurwitz
I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character? They really were a creative partner.
Mitchell Hurwitz
The executive producer title either means that you're the person who created, or co-created, the show, or you're the person who's in charge of day-to-day operations. Whereas producer is often just a writing credit.
Mitchell Hurwitz
We mapped out the whole movie, and then worked backwards from that to do these shows. It might not be a movie. It might be something else.
Mitchell Hurwitz
They say to just write about what's happening in your backyard because that's where you find the most creativity. It's in the DNA of the show. There's no question.
Mitchell Hurwitz
One of the challenges of the show has always been trying to be surprising, and that was easy to do when nobody was watching it. Now that people have started watching it, they get ahead of us. We've all started really guarding the material, just to make it fun for the audience.
Mitchell Hurwitz
I don't know how that budget would have been worked out, but that was the initial idea. Obviously, we couldn't have had a show with nine expensive actors in it. It was very nice that they were even interested in doing that. But, I was so proud of what we'd done that I couldn't think of a compelling reason to do a lesser version of it.
Mitchell Hurwitz
One of the things I liked about bringing this show back was that it gives people something to look forward to. In doing the show, I was very aware that some people will watch it all in one night, but there is enough that it will be fun to re-watch. Hopefully, people will be laughing a lot.
Mitchell Hurwitz
We will be looking at things like the confluence of a scene, and we still have all these creative decisions to make. In general, we're going to just try to make these under a half-hour. We're going to try to take that kind of cable TV comedy model.
Mitchell Hurwitz
There are a lot of things that are in the show that harken back to the old show, but I really wanted to resist doing a greatest hits. It was irresistible to do a greatest hits, but it was almost too easy. There are things that I know are still ahead of us, in the future of whatever Arrested Development brings.
Mitchell Hurwitz
It's very easy I think when you're a creative person to wait for the right thing and to start getting self-conscious about how you are going to express what you do and what's special about you. I would say in general, a lot of times the answer is that you just dive into something and you find your own voice through that process.
Mitchell Hurwitz
