Quote

Television is a very writer-driven business, and it's one of the few parts of entertainment where writers are treated with respect, only because they need you. If they didn't have to treat you with respect, they would be happy to dismiss you.

Mitchell Hurwitz

Change background

T
T
T

Change font

TAGS & TOPICS

Mitchell Hurwitz
Age: 61
Born: 1963
Born: May 29
Director
Film Actor
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Anaheim
California
Didn
Driven
Need
Parts
Needs
Writers
Would
Writer
Dismiss
Respect
Treat
Television
Treats
Happy
Treated
Business
Entertainment

More quotes by Mitchell Hurwitz

Image
I joked recently that I thought 30 seconds a day for three years would be the best way to enjoy it, and I'm going to stand by that statement.
Mitchell Hurwitz
Image
Regret is a tricky word. Here's a big secret: nobody knows what wasn't.
Mitchell Hurwitz
Image
It's very easy I think when you're a creative person to wait for the right thing and to start getting self-conscious about how you are going to express what you do and what's special about you. I would say in general, a lot of times the answer is that you just dive into something and you find your own voice through that process.
Mitchell Hurwitz
Image
The form came out of the function because it is for the audience that already knows the show, while hoping to get a new audience, too.
Mitchell Hurwitz
Image
But, you have to watch them in order. That's very important because, as it turns out, stories have to be told in order. It's like reading a novel. There are times when it's tiring. And then, you get hooked and it's a page-turner, and you really want to keep reading. I do think there will be some fatigue that sets in.
Mitchell Hurwitz
Image
One of the best ways into the business is to get a job with a production, which you can do by cold-calling or by getting your résumé out there, and also through contacts. That's where nepotism really helps.
Mitchell Hurwitz
Image
It's much easier to say negative things in a review.
Mitchell Hurwitz
Image
There are a lot of things that are in the show that harken back to the old show, but I really wanted to resist doing a greatest hits. It was irresistible to do a greatest hits, but it was almost too easy. There are things that I know are still ahead of us, in the future of whatever Arrested Development brings.
Mitchell Hurwitz
Image
I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character? They really were a creative partner.
Mitchell Hurwitz
Image
One of the things I liked about bringing this show back was that it gives people something to look forward to. In doing the show, I was very aware that some people will watch it all in one night, but there is enough that it will be fun to re-watch. Hopefully, people will be laughing a lot.
Mitchell Hurwitz
Image
Television is so much about continuing to work with people.
Mitchell Hurwitz
Image
We figured the interesting question for them is, Where has the family been since 2006, since the last time we saw them? So, part of the time, we had to spend answering that question. Then, inevitably, it goes up to a point of crisis, in everyone's show. There was just no getting around that it was about 2006-2012.
Mitchell Hurwitz
Image
We started gearing our content more to what makes us laugh and stories we wanted to tell, and we had to decide, early on, to not be precious about it.
Mitchell Hurwitz
Image
There were a couple times when we started working out the stories - and I was doing this with Jim Vallely and our friend Dean Lorey, who was on the show originally - and we were working on a movie. There would be some fan fiction things that would scoop us. It happened a couple times, where I thought, Well, we can't do that!
Mitchell Hurwitz
Image
Violence has not really been an issue. Even in my wildest hopes, I wasn't trying to get violence in.
Mitchell Hurwitz
Image
I will tell you that we're all human beings, and we all care about what people think of us. But in general, their outlook is, We're not looking at opening night numbers. We're not looking at opening night box office. We want this to be part of the reason you come to our service.
Mitchell Hurwitz
Image
I don't know how that budget would have been worked out, but that was the initial idea. Obviously, we couldn't have had a show with nine expensive actors in it. It was very nice that they were even interested in doing that. But, I was so proud of what we'd done that I couldn't think of a compelling reason to do a lesser version of it.
Mitchell Hurwitz
Image
The executive producer title either means that you're the person who created, or co-created, the show, or you're the person who's in charge of day-to-day operations. Whereas producer is often just a writing credit.
Mitchell Hurwitz
Image
People have outs for numbers of episodes, usually, written into their contract. Some studios will say, We're going to let Julia Louis-Dreyfus off of Veep to do three episodes, but not three episodes of the same show. But, that's all business affairs, so I'm talking over my head here.
Mitchell Hurwitz
Image
The TV industry works in this crazy system where everybody's trying to get the same actors at the same time.
Mitchell Hurwitz