Quote

Well,I have a theory that men don't actually cry less than women,they just do it differently. Since we never saw our fathers cry,we are forced to invent our own unique method.

Miranda July

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Miranda July
Age: 50
Born: 1974
Born: February 15
Actor
Artist
Film Actor
Film Director
Musician
Screenwriter
Writer
Barre
Vermont
Miranda J. Grossinger
Less
Forced
Father
Cry
Women
Method
Wells
Unique
Well
Saws
Never
Theory
Invent
Men
Since
Fathers
Actually
Differently

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In the weeks that followed, we amazed ourselves. Our habits slid apart easily...And our very few intimacies were simply discontinued. Where did they go, those things we did? Were they recycled? Did some new couple in China do them? Were a Swedish man and woman foot to foot at this very moment?
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I didn't have any vices before the Internet. There are a lot of cracks in the day, moments where you don't know what to do next, so you have a little hole where you look at your phone. You want something that will mean you're not alone in that moment.
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The word God asks a question and then answers it before there is any chance to wonder.
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A more normal, mature way to think about it [my work] would be, Oh, I work on multiple projects at once and they overlap, but the actual psychology of it is a lot more self-abusing.
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We come from long lines of people destined never to meet.
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Would she understand that time had stopped while she was gone.
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I don't think I'm more of a screenwriter than I am a fiction writer. I'm more of a reader than a film-watcher, so I imagine that I'm not approaching fiction or films in a particularly cinematic way.
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The job of the artist is to point at things.
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We really wanted to know all the unknowable things about each other and how we were the same and how we were different, if we even were, maybe nobody is.
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I mean obviously we're all dealing with a lot more strangers due to the web. I'd say it has more to do with the quality of interactions. When you're physically interacting with someone, it forces you to be more present and probably a little more uncomfortable. You have to tolerate being outside the comfort of your own home.
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In my paranoid world every storekeeper thinks I’m stealing, every man thinks I’m a prostitute or a lesbian, every woman thinks I’m a lesbian or arrogant, and every child and animal sees the real me and it is evil.
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And why had Deb's last boyfriend dumped her? I dumped him. Maybe you didn't French-kiss him enough. I promise you that wasn't it. Tell me how many times a day you kissed, and I'll say if it was enough. Four hundred. Not enough.
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I guess like any writer or screenwriter I'm alone in my own world so much of the time that I'm often trying to force myself out of my world. Into more risk. A less controlled kind of inspiration. I'm so keenly aware of how easy it's getting to not leave the house, with Amazon, especially.
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I'm interested in what the virtues of all those things are, especially for the kind of person who's made their own world that revolves around them, like writers do. It seems especially precious.
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There's always the sense that you should strike while the iron's hot and while there are all these opportunities, but that's not the way I get ideas. It has to be more organic, building up through living and through experiencing things.
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When I was very little, I probably wanted to be more normal. I probably wanted the Laura Ashley bedroom, and instead I got thrift-store everything.
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Inelegantly, and without my consent, time passed.
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He was worried she would not let him love her with the stain. He had already decided long ago, twenty or thirty minutes ago, that the stain was fine. He had only seen it for a moment, but he was already used to it. It was good. It somehow allowed them to have more.
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If you were wise enough to know that this life would consist mostly of letting go of things you wanted, then why not get good at the letting go, rather than the trying to have?
Miranda July