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'Salaam Bombay' didn't put a halo on the poor. Instead, it said that they will teach us how to live.

Mira Nair

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Mira Nair
Age: 67
Born: 1957
Born: October 15
Actor
Film Director
Film Producer
Screenwriter
Raurkela
Live
Halo
Bombay
Halos
Instead
Teach
Poor
Didn

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I often begin movies with music in my head it's a very important dimension to me. Not just the music itself, but how to use music in film: when and how and subtlety. I don't like to be too sweet in my stories, and I like the abrasive clang, the contrasting of sounds and cultures.
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In our house we say 'adolescence' is a western word. We don't believe in it.
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We all know the power of film we all know there's almost nothing more powerful than to see people on film that look and talk like you, like we do.
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I am still attracted to stories about people who are considered to be on the outside of society. I still seek inspiration from those stories.
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If we don't tell our own stories, no one else will.
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What is really important to me is a sense of humour and a mischief about life. Life is just too boring otherwise.
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I always like to reveal the fact that the emperor has no clothes. And children are best at that. They teach us how to see the world in that sense. They are without artifice they see it for what it is. I am drawn to that ruthless honesty.
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I grew up in a very small town which is remote even by Indian standards. I always dreamed of the world.
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Never treat anything you do as a stepping stone. Do it fully, and follow it completely.
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Every film is a political act it's how you see the world.
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I grew up in a small town in India, but through books I knew the world.
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It's only at this age that I can say the word 'art' without flinching.
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I look for the humanity in people, however big the politics or oppressive the situation may be, whether it's subsumed within a human being or between two human beings. I want to help us hold a mirror to ourselves.
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Humility is not a trait I often associate with America.
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Truth is more peculiar than fiction. Life is really a startling place.
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You know, the sad thing of post-9/11, which was of course horrific, was that the city in which I felt completely at home for two decades, suddenly people like us - brown people - were looked at as the 'Others.'
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Every frame and every scene has to have an intention.
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Bollywood actors are so set in what they want, and the way they want it. And why shouldn't they be? But it is not the same in Hollywood, because the love of the audience is not the same.
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Americans are not used to being bombed in their beds, but if you come from anywhere outside America, it's not highly unusual.
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Post 9/11, so much has changed in New York that it does not give you that homely feeling which it did before.
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