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I grew up in a very small town which is remote even by Indian standards. I always dreamed of the world.

Mira Nair

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Mira Nair
Age: 66
Born: 1957
Born: October 15
Actor
Film Director
Film Producer
Screenwriter
Raurkela
Indian
Towns
Standards
Grew
Small
Even
Remote
Always
Dreamed
World
Town

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'Salaam Bombay' didn't put a halo on the poor. Instead, it said that they will teach us how to live.
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I grew up in a small town in India, but through books I knew the world.
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Never treat anything you do as a stepping stone. Do it fully, and follow it completely.
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What is really important to me is a sense of humour and a mischief about life. Life is just too boring otherwise.
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Every frame and every scene has to have an intention.
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I look for the humanity in people, however big the politics or oppressive the situation may be, whether it's subsumed within a human being or between two human beings. I want to help us hold a mirror to ourselves.
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I often begin movies with music in my head it's a very important dimension to me. Not just the music itself, but how to use music in film: when and how and subtlety. I don't like to be too sweet in my stories, and I like the abrasive clang, the contrasting of sounds and cultures.
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It's only at this age that I can say the word 'art' without flinching.
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Post 9/11, so much has changed in New York that it does not give you that homely feeling which it did before.
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If we don't tell our own stories, no one else will.
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Truth is more peculiar than fiction. Life is really a startling place.
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I am still attracted to stories about people who are considered to be on the outside of society. I still seek inspiration from those stories.
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You know, the sad thing of post-9/11, which was of course horrific, was that the city in which I felt completely at home for two decades, suddenly people like us - brown people - were looked at as the 'Others.'
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Humility is not a trait I often associate with America.
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My films, no one else will do.
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Every film is a political act it's how you see the world.
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Americans are not used to being bombed in their beds, but if you come from anywhere outside America, it's not highly unusual.
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In our house we say 'adolescence' is a western word. We don't believe in it.
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Making films is about having absolute and foolish confidence the challenge for all of us is to have the heart of a poet and the skin of an elephant.
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We all know the power of film we all know there's almost nothing more powerful than to see people on film that look and talk like you, like we do.
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