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I grew up in a small town in India, but through books I knew the world.

Mira Nair

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Mira Nair
Age: 67
Born: 1957
Born: October 15
Actor
Film Director
Film Producer
Screenwriter
Raurkela
World
Town
Towns
India
Grew
Knew
Small
Books
Book

More quotes by Mira Nair

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Post 9/11, so much has changed in New York that it does not give you that homely feeling which it did before.
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My films, no one else will do.
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I often begin movies with music in my head it's a very important dimension to me. Not just the music itself, but how to use music in film: when and how and subtlety. I don't like to be too sweet in my stories, and I like the abrasive clang, the contrasting of sounds and cultures.
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Every frame and every scene has to have an intention.
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I always like to reveal the fact that the emperor has no clothes. And children are best at that. They teach us how to see the world in that sense. They are without artifice they see it for what it is. I am drawn to that ruthless honesty.
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I grew up in a very small town which is remote even by Indian standards. I always dreamed of the world.
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We all know the power of film we all know there's almost nothing more powerful than to see people on film that look and talk like you, like we do.
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It's only at this age that I can say the word 'art' without flinching.
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Never treat anything you do as a stepping stone. Do it fully, and follow it completely.
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Truth is more peculiar than fiction. Life is really a startling place.
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Bollywood actors are so set in what they want, and the way they want it. And why shouldn't they be? But it is not the same in Hollywood, because the love of the audience is not the same.
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Humility is not a trait I often associate with America.
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If we don't tell our own stories, no one else will.
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In our house we say 'adolescence' is a western word. We don't believe in it.
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'Salaam Bombay' didn't put a halo on the poor. Instead, it said that they will teach us how to live.
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You know, the sad thing of post-9/11, which was of course horrific, was that the city in which I felt completely at home for two decades, suddenly people like us - brown people - were looked at as the 'Others.'
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Every film is a political act it's how you see the world.
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I look for the humanity in people, however big the politics or oppressive the situation may be, whether it's subsumed within a human being or between two human beings. I want to help us hold a mirror to ourselves.
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Making films is about having absolute and foolish confidence the challenge for all of us is to have the heart of a poet and the skin of an elephant.
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Americans are not used to being bombed in their beds, but if you come from anywhere outside America, it's not highly unusual.
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