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It is curious that I always want to group things, a series of sonnets, a series of photographs whatever rationalizations appear, they originate in urges that are rarely satisfied with single images.

Minor White

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Minor White
Age: 67 †
Born: 1908
Born: July 9
Died: 1976
Died: June 24
Photographer
University Teacher
Minneapolis
Minnesota
Minor Martin White
Groups
Images
Single
Appear
Rationalizations
Whatever
Curious
Sonnets
Always
Photographer
Originate
Things
Satisfied
Sonnet
Photograph
Photographs
Group
Urges
Series
Rarely

More quotes by Minor White

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When gifts are given to me through my camera, I accept them graciously.
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Be still with yourself until the object of your attention affirms your presence.
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Photography is a language more universal than words.
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No matter how slow the film, Spirit always stands still long enough for the photographer It has chosen.
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While we cannot describe its appearance (the equivalent), we can define its function. When a photograph functions as an Equivalent we can say that at that moment, and for that person the photograph acts as a symbol or plays the role of a metaphor for something that is beyond the subject photographed.
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The photographer projects himself into everything he sees, identifying himself with everything in order to know it and to feel it better.
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Students were taught by doing.
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I have often photographed when I am not in tune with nature but the photographs look as if I had been. So I conclude that something in nature says, 'Come and take my photograph.' So I do, regardless of how I feel.
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At first glance a photograph can inform us. At second glance it can reach us.
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A very receptive state of mind... not unlike a sheet of film itself - seemingly inert, yet so sensitive that a fraction of a second's exposure conceives a life in it.
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Photographers who come up with power never get accused of imitating anyone else even though they photograph the same broom, same street, same portraits.
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In putting images together I become active, and excitement is of another order - synthesis overshadows analysis.
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One should not only photograph things for what they are but for what else they are.
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Watching the way the current moves a blade of grass - sometimes I've seen that happen and it has just turned me inside out.
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Sometimes we work so fast that we don't really understand what's going on in front of the camera. We just kind of sense that, 'Oh my God, it's significant!' and photograph impulsively while trying to get the exposure right. Exposure occupies my mind while intuition frames the images.
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If I have anything to give you through camera, it must be of myself. … A gnawing burns inside … to make something of myself worth giving.
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There's no particular class of photograph that I think is any better than any other class. I'm always and forever looking for the image that has spirit! I don't give a damn how it got made.
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Let the subject generate its own photographs. Become a camera.
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To engage a sequence, we keep in mind the photographs on either side of the one in our eye.
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I'm always mentally photographing everything as practice.
Minor White