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Because I just loved to spend two years of my life in the company of Andy Kaufman and other characters.

Milos Forman

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Milos Forman
Age: 86 †
Born: 1932
Born: February 18
Died: 2018
Died: April 13
Actor
Director
Film Actor
Film Director
Film Producer
Playwright
Screenwriter
Kent
England
Jan Tomáš Kohn-Forman
Jan Tomáš Forman
Milos Forman
Company
Two
Character
Years
Kaufman
Life
Andy
Characters
Spend
Loved

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What I like about masturbation is that you don't have to talk afterwards.
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Well, listen, you know, the Czech saying is, you know, when you are drowning you are grabbing even a little twig. That's what all Czechs were doing, grabbing for... with the hope for this little twig.
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Usually you don't think about re-releasing an old movie.
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I lived long enough in a society where freedom of speech was nonexistent, and I know what kind of misery that creates - starting with the fact that life becomes very boring for people who just try to survive, and are quiet, and try not to buck the system. And, of course, it can be devastating for people who try to speak against it.
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When you finish a film, before the first paying audience sees it, you don't have any idea. You don't know if you made a success or a flop, when it comes to the box office.
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When I came for the first time to the United States, visiting, I was absolutely fascinated by New York.
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I get out of the taxi and it's probably the only city which in reality looks better than on the postcards, New York.
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The worst evil is - and that's the product of censorship - is the self-censorship, because that twists spines, that destroys my character because I have to think something else and say something else, I have to always control myself.
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You know what happened, you know, in 1938: France, England, you know, just sold out Czechoslovakia to Hitler.
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Well, I wouldn't say that this experience had any influence on my decision to do this film about Andy, because Andy was apolitical. Andy was never political.
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For me, speaking is work. It's not like when you breathe.
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I think everybody dreamt somehow to make a film in Hollywood, you know.
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You really see life around the principals to be as important as the main, principal actors. That's what cinéma vérité taught me - that it's not a question of having a main character, a great actor, and the rest is unimportant. Every detail, every face in the crowd is important.
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Communists love to make films about composers, because composers compose music and don't talk subversive things.
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People who make documentaries have to be faithful to the facts. But when you are making a drama, a fiction based on the life, all you have to be faithful to is the spirit of the facts, which I think I was in every case. As long as you don't violate their spirit, you can play with the facts.
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I tell you, in my opinion, the cornerstone of democracy is free press - that's the cornerstone.
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The Czech movies, the quality movies, are trying to show the life in the country as it is, in an entertaining way, while in America, the majority of movies are wonderful fairy tales.
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People must not think that all bad in man which is unleashed, the moment you impose censorship disappears from man.
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