Quote

Japanese people they hear my warmin' up and they start screamin'. They can tell it's me.It's my tone on the trumpet, it sounds like I'm speakin'.

Miles Davis

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Miles Davis
Age: 65 †
Born: 1926
Born: May 26
Died: 1991
Died: September 28
Actor
Autobiographer
Bandleader
Composer
Conductor
Film Score Composer
Jazz Musician
Musician
Recording Artist
Songwriter
Television Actor
Alton
Illinois
Miles Dewey Davis III
Miles Dewey Davis
III Davis
Sounds
Hear
Start
Sound
Tell
Trumpet
Like
Trumpets
People
Japanese
Tone

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You know why I quit playing ballads? Cause I love playing ballads.
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If you hit a wrong note, it's the next note that you play that determines if it's good or bad.
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Jazz musicians are so comfortable. The reason they can't do what we do is because they're so comfortable doin' what they do.
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I really liked Wynton when I first met him. He's still a nice young man, only confused.
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To keep creating you have to be about change.
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Americans don't like any form of art, man. All they like to do is make money. They don't like me, Sammy Davis, or anybody else. They don't like nothing. They just like Sammy because he can make 'em a lot of money.
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Bebop didn't have the humanity of Duke Ellington. It didn't even have that recognizable thing. Bird and Diz were great, fantastic, challenging — but they weren't sweet.
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Dave [Holland] plays the way he wants to play. And it's usually what's needed. You know, Dave is such a deep thinker. You can't tell him too much, else it might spoil his spirit, you know.
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In respect for drummers, see, I love drummers.
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You can't play anything on a horn that Louis Armstrong hasn't played
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What's swinging in words? If a guy makes you pat your foot and if you feel it down your back, you don't have to ask anybody if that's good music or not. You can always feel it.
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I put all those synthesizer sounds behind Decoy and Code M.D. A lot of things we write together. A lot of things are his, but they don't have that thing I want on the bottom. I often tell him, I say, Bobby [Irving], if there's a melody, there's another one somewhere that goes with it.
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When I heard Coleman Hawkins, I learned to play ballads
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I couldn't do What's Love Got To Do With It, Tina Turner because it wasn't the right tempo so I scratched it from the record. I wanted to do it about a year ago, but something happened.
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Anybody can play. The note is only 20 percent. The attitude of the motherfucker who plays it is 80 percent.
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Catch Harry Belafonte. He's got a helluva rhythm section.And so have the Pointer Sisters. And that little guy with Sammy Clayton. He plays the whole show with 40 members.
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If you have to ask, you'll never know.
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Jazz is the big brother of Revolution. Revolution follows it around.
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I can't write anything for myself. I can write when I hear like [John] Coltrane play something I used to write chords and stuff for him to play in one bar. I can write for other people, but I don't never write for myself.
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The only way a drum machine will get out of beat is for you not to pay your electric bill.
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