Quote

I couldn't do What's Love Got To Do With It, Tina Turner because it wasn't the right tempo so I scratched it from the record. I wanted to do it about a year ago, but something happened.

Miles Davis

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Miles Davis
Age: 65 †
Born: 1926
Born: May 26
Died: 1991
Died: September 28
Actor
Autobiographer
Bandleader
Composer
Conductor
Film Score Composer
Jazz Musician
Musician
Recording Artist
Songwriter
Television Actor
Alton
Illinois
Miles Dewey Davis III
Miles Dewey Davis
III Davis
Something
Record
Years
Couldn
Love
Records
Wasn
Happened
Tina
Year
Scratched
Wanted
Turner
Right
Tempo

More quotes by Miles Davis

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That's the way you judge a car, man, [good or bad], when you start it up. It's just the same thing. I mean, I drive a Ferrari - not to be cute, but because I dig it. I'd rather drive a ten-year-old Ferrari than one of them new things-they don't go.
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Some of [drummers] drop time because they want to hear what you're doin'.
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I used to enjoy all the white bands when I was a kid listening to the radio. But the record companies, they take music and label it - like, they say rock. Because the white singers can't sound like James Brown, they call him soul. They've been doing that for years. That's the prejudice crap.
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A painting is music you can see and music is a painting you can hear.
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Somebody, my daughter or my wife, gave me a music box for Christmas. It plays My Funny Valentine on celeste, you know? So I had Bobby [Irving] just play Jean Pierre with the changes on celeste.
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You can't play anything on a horn that Louis Armstrong hasn't played
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Japanese people they hear my warmin' up and they start screamin'. They can tell it's me.It's my tone on the trumpet, it sounds like I'm speakin'.
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Knowledge is freedom and ignorance is slavery
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I never thought that the music called jazz was ever meant to reach just a small group of people, or become a museum thing locked under glass like all the other dead things that were once considered artistic.
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Monk taught me more about music composition than anyone else on 52nd Street.
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If you have a tone like mine that is recognizable. No matter what I play, when you hear my tone you can tell it's me.
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Maybe you play a melody twice. You play it once like you like it, and some parts that you don't like you can just switch. An eight-bar motive - you can just take it and put it in the front or back or something like that. It can save you 50 or 60 or 70,000 dollars, a drum machine. That's why everybody uses it.
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Americans don't like any form of art, man. All they like to do is make money. They don't like me, Sammy Davis, or anybody else. They don't like nothing. They just like Sammy because he can make 'em a lot of money.
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If you have to ask, you'll never know.
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I've come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I've never got there. . . . I'm always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play everyday.
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When I heard Coleman Hawkins, I learned to play ballads
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In other words, an instrument should be an extension of you it's supposed to sound like you - the way you walk, the way you dress, you know.
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If you got up on the bandstand at Minton's and couldn't play, you were not only going to be embarrassed by the people ignoring you or booing you, you might get your ass kicked.
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My father's rich, my momma's good looking. Right? And I can play the Blues. I've never suffered and don't intend to suffer.
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If you had to call it unison, it ain't unison. It ain't the same as somebody else. If you can hear that it's unison, and you have to name it something other than unison, it ain't unison, you know what I mean? It's two guys playin', but one guy is playin' slightly out of tune, one is playin' slightly off meter.
Miles Davis