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You ever hear Buddy Miles play the drums? You know, he doesn't vary the tempo at all.
Miles Davis
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Miles Davis
Age: 65 †
Born: 1926
Born: May 26
Died: 1991
Died: September 28
Actor
Autobiographer
Bandleader
Composer
Conductor
Film Score Composer
Jazz Musician
Musician
Recording Artist
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Television Actor
Alton
Illinois
Miles Dewey Davis III
Miles Dewey Davis
III Davis
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Buddy
Miles
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Doesn
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Drums
More quotes by Miles Davis
He sounded to me like he's supposed to be the savior of jazz. Sometimes people speak as though someone asked them a question. Well, no one asked him a question.
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When you work with great musicians, they are always a part of you . . . their spirits are walking around in me, so they're still here and passing it on to others.
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If you don't know what to play, play nothing.
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There are no wrong notes.
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What's swinging in words? If a guy makes you pat your foot and if you feel it down your back, you don't have to ask anybody if that's good music or not. You can always feel it.
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Monk taught me more about music composition than anyone else on 52nd Street.
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I would never try and play like Harry James, because I don't like his tone - for me. It's just white. You know what I mean? He has what we black trumpet players call a white sound. But it's for white music ... I can tell a white trumpet player, just listening to a record. There'll be something he'll do that'll let me know that he's white.
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I know what I've done for music, but don't call me a legend. Just call me Miles Davis.
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You want to know how I started playing trumpet? My father bought me one, and I studied the trumpet. And everybody I heard that I liked, I picked up things from.
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In respect for drummers, see, I love drummers.
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I can hear what I want [people] to play. If you don't hear what you want someone to play, then you can't tell 'em.
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Music is a funny thing when you really come to think about it.
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I put all those synthesizer sounds behind Decoy and Code M.D. A lot of things we write together. A lot of things are his, but they don't have that thing I want on the bottom. I often tell him, I say, Bobby [Irving], if there's a melody, there's another one somewhere that goes with it.
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That's the way women do. The frown. They want to give you the attitude to approach them back, by giving you a negative vibe.
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That's the way you judge a car, man, [good or bad], when you start it up. It's just the same thing. I mean, I drive a Ferrari - not to be cute, but because I dig it. I'd rather drive a ten-year-old Ferrari than one of them new things-they don't go.
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I've come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I've never got there. . . . I'm always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play everyday.
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Americans don't like any form of art, man. All they like to do is make money. They don't like me, Sammy Davis, or anybody else. They don't like nothing. They just like Sammy because he can make 'em a lot of money.
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The thing to judge in any jazz artist is, does the man project and does he have ideas.
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Anybody can play. The note is only 20 percent. The attitude of the motherfucker who plays it is 80 percent.
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Tom Jones is funny to me, man. I mean, he really tries to ape Ray Charles and Sammy Davis, you know. He's nice-looking he looks good doing it. I mean, if I was him, I'd do the same thing. If I was only thinking about making money.
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