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That's the way women do. The frown. They want to give you the attitude to approach them back, by giving you a negative vibe.
Miles Davis
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Miles Davis
Age: 65 †
Born: 1926
Born: May 26
Died: 1991
Died: September 28
Actor
Autobiographer
Bandleader
Composer
Conductor
Film Score Composer
Jazz Musician
Musician
Recording Artist
Songwriter
Television Actor
Alton
Illinois
Miles Dewey Davis III
Miles Dewey Davis
III Davis
Approach
Attitude
Give
Women
Back
Giving
Frown
Way
Vibe
Negative
More quotes by Miles Davis
Somebody, my daughter or my wife, gave me a music box for Christmas. It plays My Funny Valentine on celeste, you know? So I had Bobby [Irving] just play Jean Pierre with the changes on celeste.
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I couldn't do What's Love Got To Do With It, Tina Turner because it wasn't the right tempo so I scratched it from the record. I wanted to do it about a year ago, but something happened.
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Everybody ought to listen to Benny [Carter]. He's a whole musical education.
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Sometimes you have to play a long time to be able to play like yourself.
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Monk taught me more about music composition than anyone else on 52nd Street.
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Trane was the perfect saxophonist for Monk's music because of the space that Monk always used. Trane could fill up all that space with all them chords and sounds he was playing then.
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When kids don't learn about their own heritage in school, they just don't care about school... But you won't see it in the history books unless we get the power to write our own history and tell our story ourselves.
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The only reason to write a new song is because you're tired of the old ones.
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There are no wrong notes.
Miles Davis
[Jazz musicians] feel comfortable with their clichés, you know.
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You should never be comfortable, man. Being comfortable fouled up a lot of musicians.
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What's swinging in words? If a guy makes you pat your foot and if you feel it down your back, you don't have to ask anybody if that's good music or not. You can always feel it.
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Always listen for what you can leave out.
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Drummers - sometimes they play and they listen. And that little listen takes a speck away from the right tempo.
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I began to realize that some of the things Ornette Coleman had said about things being played three or fours ways, independently of each other, were true because Bach had also composed that way.
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Bebop didn't have the humanity of Duke Ellington. It didn't even have that recognizable thing. Bird and Diz were great, fantastic, challenging — but they weren't sweet.
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If you hit a wrong note, it's the next note that you play that determines if it's good or bad.
Miles Davis
All my inspiration comes from Ahmad Jamal.
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You have to know 400 notes that you can play, then pick the right four.
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My ego only needs a good rhythm section
Miles Davis