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I'm not messing around with nobody's woman. If I want a woman I go get her - you know what I mean?

Miles Davis

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Miles Davis
Age: 65 †
Born: 1926
Born: May 26
Died: 1991
Died: September 28
Actor
Autobiographer
Bandleader
Composer
Conductor
Film Score Composer
Jazz Musician
Musician
Recording Artist
Songwriter
Television Actor
Alton
Illinois
Miles Dewey Davis III
Miles Dewey Davis
III Davis
Messing
Nobody
Woman
Around
Women
Mean

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If you understood everything I say, you'd be me!
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If you hit a wrong note, it's the next note that you play that determines if it's good or bad.
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I never thought that the music called jazz was ever meant to reach just a small group of people, or become a museum thing locked under glass like all the other dead things that were once considered artistic.
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I can't write anything for myself. I can write when I hear like [John] Coltrane play something I used to write chords and stuff for him to play in one bar. I can write for other people, but I don't never write for myself.
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Always look ahead, but never look back.
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All my inspiration comes from Ahmad Jamal.
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You want to know how I started playing trumpet? My father bought me one, and I studied the trumpet. And everybody I heard that I liked, I picked up things from.
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I began to realize that some of the things Ornette Coleman had said about things being played three or fours ways, independently of each other, were true because Bach had also composed that way.
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The reason [drummers] call things unison, and they sound unison, is because you actually play two different tempos . . . like you're a little sharp, or a little flat it's so slight that they call it unison, but it's not unison.
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If you have to ask, you'll never know.
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You have to know 400 notes that you can play, then pick the right four.
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I've come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I've never got there. . . . I'm always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play everyday.
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When I heard Coleman Hawkins, I learned to play ballads
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Trane was the perfect saxophonist for Monk's music because of the space that Monk always used. Trane could fill up all that space with all them chords and sounds he was playing then.
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Catch Harry Belafonte. He's got a helluva rhythm section.And so have the Pointer Sisters. And that little guy with Sammy Clayton. He plays the whole show with 40 members.
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Do not fear mistakes. There are none.
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Monk taught me more about music composition than anyone else on 52nd Street.
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I couldn't do What's Love Got To Do With It, Tina Turner because it wasn't the right tempo so I scratched it from the record. I wanted to do it about a year ago, but something happened.
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Music is a funny thing when you really come to think about it.
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You know why I quit playing ballads? Cause I love playing ballads.
Miles Davis