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If you hit a wrong note, it's the next note that you play that determines if it's good or bad.
Miles Davis
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Miles Davis
Age: 65 †
Born: 1926
Born: May 26
Died: 1991
Died: September 28
Actor
Autobiographer
Bandleader
Composer
Conductor
Film Score Composer
Jazz Musician
Musician
Recording Artist
Songwriter
Television Actor
Alton
Illinois
Miles Dewey Davis III
Miles Dewey Davis
III Davis
Note
Determine
Notes
Wrong
Next
Play
Good
Determines
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In music, silence is more important than sound.
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That's the way women do. The frown. They want to give you the attitude to approach them back, by giving you a negative vibe.
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If you understood everything I say, you'd be me!
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I said to [Lionel] Richie, Man, my wife says you must really respect women because you write such beautiful love songs.
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You want to know how I started playing trumpet? My father bought me one, and I studied the trumpet. And everybody I heard that I liked, I picked up things from.
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We're not going to play the blues anymore. Let the white folks play the blues. They got 'em, so they can keep 'em.
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I can hear what I want [people] to play. If you don't hear what you want someone to play, then you can't tell 'em.
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It's like swimmin' without warmin' up, yuo know what I mean? So [cackles] we use the drum machine, and we take it out.
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When the band plays fast, you play slow when the band plays slow, you play fast.
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Sometimes [playing free] doesn't happen, because maybe a guy's wife'll come in, you know, and his ego will catch him. If everybody's completely just straight-without any old ladies over here, a fourth of whisky over there if it's balanced right, it'll come off. It has to be. But when you get egos involved with playing free, you can't do it.
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Jazz musicians are so comfortable. The reason they can't do what we do is because they're so comfortable doin' what they do.
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Do not fear mistakes. There are none.
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When you work with great musicians, they are always a part of you . . . their spirits are walking around in me, so they're still here and passing it on to others.
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I really liked Wynton when I first met him. He's still a nice young man, only confused.
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When we edit the music, I always remember, It's my band. Save me a place to play.
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I've gotten hernias from drummers when they drop tempo.
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He sounded to me like he's supposed to be the savior of jazz. Sometimes people speak as though someone asked them a question. Well, no one asked him a question.
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The thing to judge in any jazz artist is, does the man project and does he have ideas.
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