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In the love poetry of every age, the woman longs to be weighed down by the man's body.
Milan Kundera
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Milan Kundera
Age: 95
Born: 1929
Born: April 1
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Brünn
Age
Woman
Body
Every
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Men
Weighed
Love
Lightness
Unbearable
Poetry
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Perhaps if they had stayed together longer, Sabina and Franz would have begun to understand the words they used. Gradually, timorously, their vocabularies would have come together, like bashful lovers, and the music of one would have begun to intersect with the music of the other. But it was too late now.
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...he took a look at the blond girl's eyes and knew that he must not take part in the rigged game in which the ephemeral passes for the eternal and the small for the big, that he must not take part in the rigged game called love.
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The Greek word for return is nostos. Algos means suffering. So nostalgia is the suffering caused by an unappeased yearning to return.
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Yes, it's a well-known fact about you: you're like death, you take everything.
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The greater the ambiguity, the greater the pleasure.
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A novel that does not uncover a hitherto unknown segment of existence is immoral. Knowledge is the novel's only morality.
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She was experiencing the same odd happiness and odd sadness as then. The sadness meant: We are at the last station. The happiness meant: We are together. The sadness was form, the happiness content. Happiness filled the space of sadness.
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[Kafka] transformed the profoundly antipoetic material of a highly bureaucratized society into the great poetry of the novel he transformed a very ordinary story of a man who cannot obtain a promised job . . . into myth, into epic, into a kind of beauty never before seen.
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We go through the present blindfolded... Only later, when the blindfold is removed and we examine the past, do we realize what we've been through and understand what it means.
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Sensuality is the total mobilization of the senses: an individual observes his partner intently, straining to catch every sound.
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Optimism is the opium of the people.
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Mankind's real moral test, a test so radical and so deep that it escapes our gaze, is probably the one of its relations with those that are the most at its mercy the Animals.
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A worker may be the hammer's master, but the hammer still prevails. A tool knows exactly how it is meant to be handled, while the user of the tool can only have an approximate idea.
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But man, because he has only one life to live, cannot conduct experiments to test whether to follow his passion (compassion) or not.
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We all reject out of hand the idea that the love of our life may be something light or weightless we presume our love is what must be, that without it our life would no longer be the same we feel that Beethoven himself, gloomy and awe-inspiring, is playing the “Es muss sein!” to our own great love.
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For the body is temporal and thought is eternal and the shimmering essence of flame is an image of thought.
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