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Any new possibility that existence acquires, even the least likely, transforms everything about existence.
Milan Kundera
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Milan Kundera
Age: 95
Born: 1929
Born: April 1
Author
Novelist
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Poet
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University Teacher
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Brünn
Even
Acquires
Transforms
Acquire
Likely
Possibility
Least
Existence
Everything
More quotes by Milan Kundera
I think I am a much better actor than I have allowed myself to be.
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We can never establish with certainty what part of our relations with others is the result of our emotions - love, antipathy, charity, or malice - and what part is predetermined by the constant power play among individuals.
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Living, there is no happiness in that. Living: carrying one’s painful self through the world. But being, being is happiness. Being: Becoming a fountain, a fountain on which the universe falls like warm rain.
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Tell me, where in life is there a value that would make us consider suicide uncalled for on principle! Love? Or friendship? I guarantee that friendship is not a bit less fickle than love and it is impossible to build anything on it. Self-love? I wish it were possible.
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The moment Kafka attracts more attenetion than Joseph K., Kafka's posthumous death begins.
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The great European novel started out as entertainment, and every true novelist is nostalgic for it. In fact, the themes of those great entertainments are terribly serious-think of Cervantes!
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She was experiencing the same odd happiness and odd sadness as then. The sadness meant: We are at the last station. The happiness meant: We are together. The sadness was form, the happiness content. Happiness filled the space of sadness.
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The novel is a meditation on existence as seen through the medium of imaginary characters.
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A worker may be the hammer's master, but the hammer still prevails. A tool knows exactly how it is meant to be handled, while the user of the tool can only have an approximate idea.
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Believe me, nothing is more beautiful than to carry out crazy ideas. I'd like my whole life to be one single crazy idea.
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Remembering now all those farewells (fake farewells, worked-up farewells), Irena thinks: a person who messes up her goodbyes shouldn’t expect much from her re-unions.
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What is unique about the I hides itself exactly in what is unimaginable about a person. All we are able to imagine is what makes everyone like everyone else, what people have in common. The individual I is what differs from the common stock, that is, what cannot be guessed at or calculated, what must be unveiled, uncovered, conquered.
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...[P]eople who shout joy from the rooftops are often the saddest of all... (p.24)
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Once her love had been publicized, it would gain weight, become a burden.
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This symmetrical composition--the same motif at the beginning and at the end--may seem quite novelistic to you, and I am willing to agree, but only on condition that you refrain from reading such notions as fictive, fabricated, and untrue to life into the word novelistic. Because human lives are composed in precisely such a fas
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She regarded books as the emblems of secret brotherhood. A man with this sort of library couldn't possibly hurt her.
Milan Kundera
There is no perfection only life
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Kitsch causes two tears to flow in quick succession. The first tear says: How nice to see children running on the grass! The second tear says: How nice to be moved, together with all mankind, by children running on the grass!
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On the surface, an intelligible lie underneath, the unintelligible truth.
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Metaphors are dangerous. Love begins with a metaphor. Which is to say, love begins at the point when a woman enters her first word into our poetic memory.
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