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Kitsch excludes everything from its purview which is essentially unacceptable in human existence.

Milan Kundera

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Milan Kundera
Age: 95
Born: 1929
Born: April 1
Author
Novelist
Playwright
Poet
Screenwriter
Translator
University Teacher
Writer
Brünn
Existence
Human
Everything
Humans
Purview
Excludes
Kitsch
Unacceptable
Essentially

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For everyone is pained by the thought of disappearing, unheard and unseen, into an indifferent universe, and because of that everyone wants, while there is still time, to turn himself into a universe of words.
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When the heart speaks, the mind finds it indecent to object.
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Einmal ist keinmal, says Tomas to himself. What happens but once, says the German adage, might as well not have happened at all. If we have only one life to live, we might as well not have lived at all.
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He suddenly recalled from Plato's Symposium: People were hermaphrodites until God split then in two, and now all the halves wander the world over seeking one another. Love is the longing for the half of ourselves we have lost.
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Disgust at having to talk about oneself is what distinguishes novelistic talent from lyric talent.
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The sound of laughter is like the vaulted dome of a temple of happiness.
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No one can give anyone else the gift of the idyll only an animal can do so, because only animals were not expelled from Paradise. The love between dog and man is idyllic. It knows no conflicts, no hair-raising scenes it knows no development.
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Perhaps all the questions we ask of love, to measure, test, probe, and save it, have the additional effect of cutting it short.
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Our historical experience teaches us that men imitate one another, that their attitudes are statistically calculable, their opinions manipulable, and that man is therefore less an individual (a subject) than an element in a mass.
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Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.
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Living for Sabina meant seeing. Seeing is limited by two borders: strong light, which blinds, and total darkness. Perhaps that was what motivated Sabina's distaste for all extremism. Extremes mean borders beyond which life ends, and a passion for extremism, in art and in politics, is a veiled longing for death.
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Eroticism is like a dance: one always leads the other.
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There is no perfection only life
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The novelist teaches the reader to comprehend the world as a question.
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The young man called the waiter and paid. Then he got up and said to the girl: 'We're going.' Where to?' The girl feigned surprise. Don't ask, just come on,' said the young man. Is that any way to talk to me?' It's the way I talk to whores.
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...in our time art is encrusted with a noisy, opaque, logorrhea of theory that prevents a work from coming into direct, media free, non-interpreted contact with its viewer (its reader, its listener)
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Unlike the puerile loyalty to a conviction, loyalty to a friend is a virtue - perhaps the only virtue, the last remaining one.
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The first step in liquidating a people is to erase its memory. Destroy its books, its culture, its history.
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Sensuality is the total mobilization of the senses: an individual observes his partner intently, straining to catch every sound.
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To die to decide to die that's much easier for an adolescent than for an adult. What? Doesn't death strip an adolescent of a far larger portion of future? Certainly it does, but for a young person, the future is a remote, abstract, unreal thing he doesn't really believe in.
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