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The sound of laughter is like the vaulted dome of a temple of happiness.
Milan Kundera
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Milan Kundera
Age: 95
Born: 1929
Born: April 1
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More quotes by Milan Kundera
The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful ... Love begins at the point when a woman enters her first word into our poetic memory.
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We don't know when our name came into being or how some distant ancestor acquired it. We don't understand our name at all, we don't know its history and yet we bear it with exalted fidelity, we merge with it, we like it, we are ridiculously proud of it as if we had thought it up ourselves in a moment of brilliant inspiration.
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To be a writer does not mean to preach a truth, it means to discover a truth.
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But which was the real me? Let me be perfectly honest: I was a man of many faces. (p.33)
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Einmal ist keinmal, says Tomas to himself. What happens but once, says the German adage, might as well not have happened at all. If we have only one life to live, we might as well not have lived at all.
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Once her love had been publicized, it would gain weight, become a burden.
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A worker may be the hammer's master, but the hammer still prevails. A tool knows exactly how it is meant to be handled, while the user of the tool can only have an approximate idea.
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She was experiencing the same odd happiness and odd sadness as then. The sadness meant: We are at the last station. The happiness meant: We are together. The sadness was form, the happiness content. Happiness filled the space of sadness.
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All lovers unconsciously establish their own rules of the game, which from the outset admit of no transgression.
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No one can get really drunk on a novel or a painting, but who can help getting drunk on Reethoven's Ninth, Rartok's Sonata for Two Pianos and Percussion, or the Reatles' White Album?
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The moment Kafka attracts more attenetion than Joseph K., Kafka's posthumous death begins.
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Why don't you ever use your strength on me? she said. Because love means renouncing strength, said Franz softly.
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Culture is perishing in overproduction, in an avalanche of words, in the madness of quantity.
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Cemeteries in Bohemia are like gardens. The graves are covered with grass and colourful flowers. Modest tombstones are lost in the greenery. When the sun goes down, the cemetery sparkles with tiny candles... no matter how brutal life becomes, peace always reigns in the cemetery. Even in wartime, even in Hitler's time, even in Stalin's time.
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Yes, the essence of every love is a child, and it makes no difference at all whether it has ever actually been conceived or born. In the algebra of love a child is the symbol of the magical sum of two beings.
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Even in the game there lurks a lack of freedom even in a game is a trap for the players.
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I am not in favor of imposing happiness on people. Everyone has a right to his bad wine, to his stupidity, and to his dirty fingernails.
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Noise has one advantage. It drowns out words.
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And what can life be worth if the first rehearsal for life is life itself?
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The body was a cage, and inside that cage was something which looked, listened, feared, thought and marveled that something, that remainder left over after the body had been accounted for, was the soul.
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