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I am not in favor of imposing happiness on people. Everyone has a right to his bad wine, to his stupidity, and to his dirty fingernails.

Milan Kundera

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Milan Kundera
Age: 95
Born: 1929
Born: April 1
Author
Novelist
Playwright
Poet
Screenwriter
Translator
University Teacher
Writer
Brünn
Favors
Stupidity
Dirty
Wine
Happiness
Everyone
Fingernails
Right
Imposing
People
Favor

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The more vast the amount of time we've left behind us, the more irresistible is the voice calling us to return to it.
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There is nothing heavier than compassion. Not even one's own pain weighs so heavy as the pain one feels for someone, pain intensified by the imagination and prolonged by a hundred echos.
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The characters in my novels are my own unrealised possibilities. That is why I am equally fond of them all and equally horrified by them. Each one has crossed a border that I myself have circumvented.
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And therein lies the whole of man's plight. Human time does not turn in a circle it runs ahead in a straight line. That is why man cannot be happy: happiness is the longing for repetition.
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Beauty has long since disappeared. It has slipped beneath the surface of the noise, the noise of words, sunk deep as Atlantis. The only thing left of it is the word, whose meaning loses clarity from year to year.
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If I had two lives, in one life I could invite her to stay at my place, and in the second life I could kick her out. Then I could compare and see which had been the best thing to do. But we only live once. Life's so light. Like an outline we can't ever fill in or correct... make any better. It's frightening.
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Suspending moral judgment is not the immorality of the novel it is its morality.
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Two people in love, alone, isolated from the world, that's very beautiful. But what would they nourish their intimate talk with? However contemptible the world may be, they still need it to be able to talk together.
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He suddenly recalled from Plato's Symposium: People were hermaphrodites until God split then in two, and now all the halves wander the world over seeking one another. Love is the longing for the half of ourselves we have lost.
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Through the air floated only important words, and Flajsman said to himself that love has but one true measure, and that is death. At the end of true love is death, and only the love that ends in death is love.
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He took over anger to intimidate subordinates, and in time anger took over him.
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We can never establish with certainty what part of our relations with others is the result of our emotions - love, antipathy, charity, or malice - and what part is predetermined by the constant power play among individuals.
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The best actors do not let the wheels show.
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Leroy interrupted Chantal's fantasies: Freedom? As you live our your desolation, you can be either unhappy or happy. Having that choice is what constitutes your freedom. You're free to melt your own individuality into the cauldron of the multitude either with a feeling of defeat or euphoria.
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Sleep in my arms. Like a baby bird. Like a broom among brooms... in a broom closet. Like a tiny parrot. Like a whistle. Like a little song. A song sung by a forest... within a forest... a thousand years ago.
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Metaphors are dangerous. Love begins with a metaphor. Which is to say, love begins at the point when a woman enters her first word into our poetic memory.
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Yes, it's crazy. Love is either crazy or it's nothing at all.
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People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past.
Milan Kundera