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A man who loses his privacy loses everything. And a man who gives it up of his own free will is a monster.

Milan Kundera

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Milan Kundera
Age: 95
Born: 1929
Born: April 1
Author
Novelist
Playwright
Poet
Screenwriter
Translator
University Teacher
Writer
Brünn
Free
Everything
Giving
Men
Monster
Privacy
Monsters
Gives
Loses

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The young man called the waiter and paid. Then he got up and said to the girl: 'We're going.' Where to?' The girl feigned surprise. Don't ask, just come on,' said the young man. Is that any way to talk to me?' It's the way I talk to whores.
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For everyone is pained by the thought of disappearing, unheard and unseen, into an indifferent universe, and because of that everyone wants, while there is still time, to turn himself into a universe of words.
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Happiness is the longing for repetition.
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In the world of highways, a beautiful landscape means: an island of beauty connected by a long line with other islands of beauty.
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she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane for the dandy a century ago. It differentiated her from others.
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But when the strong were too weak to hurt the weak, the weak had to be strong enough to leave.
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Through the air floated only important words, and Flajsman said to himself that love has but one true measure, and that is death. At the end of true love is death, and only the love that ends in death is love.
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Fidelity gives a unity to lives that would otherwise splinter into thousands of split-second impressions.
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Ambition is a poor excuse for not having sense enough to be lazy.
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Believe me, nothing is more beautiful than to carry out crazy ideas. I'd like my whole life to be one single crazy idea.
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Dogs do not have many advantages over people, but one of them is extremely important: euthanasia is not forbidden by law in their case animals have the right to a merciful death.
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The river flowed from century to century, and human affairs play themselves out on its banks. Play themselves out to be forgotten the next day, while the river flows on.
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Between the approximation of the idea and the precision of reality there was a small gap of the unimaginable, and it was this hiatus that gave him no rest.
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Metaphors are dangerous. Love begins with a metaphor. Which is to say, love begins at the point when a woman enters her first word into our poetic memory.
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Her drama was a drama not of heaviness but of lightness. What fell to her lot was not the burden but the unbearable lightness of being.
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we might also call vertigo the intoxication of the weak. aware of his weakness, a man decides to give in rather than stand up to it. he is drunk with weakness, wishes to grow even weaker, wishes to fall down in the middle of the main square in front of everybody, wishes to be down, lower than down.
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Ah, ladies and gentlemen, a man lives a sad life when he cannot take anything or anyone seriously.
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It takes so little, so infinitely little, for a person to cross the border beyond which everything loses meaning: love, convictions, faith, history. Human life -- and herein lies its secret -- takes place in the immediate proximity of that border, even in direct contact with it it is not miles away, but a fraction of an inch.
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On the surface, an intelligible lie underneath, the unintelligible truth.
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