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Kitsch causes two tears to flow in quick succession. The first tear says: How nice to see children running on the grass! The second tear says: How nice to be moved, together with all mankind, by children running on the grass!
Milan Kundera
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Milan Kundera
Age: 95
Born: 1929
Born: April 1
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BrĂ¼nn
Nice
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Kitsch
Together
Tears
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More quotes by Milan Kundera
The young man called the waiter and paid. Then he got up and said to the girl: 'We're going.' Where to?' The girl feigned surprise. Don't ask, just come on,' said the young man. Is that any way to talk to me?' It's the way I talk to whores.
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We all need someone to look at us. We can be divided into four categories according to the kind of look we wish to live under . . . The fourth category, the rarest, is the category of people who live in the imaginary eyes of those who are not present. They are the dreamers.
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Merely by being born intelligent, you right away find yourself in absolute exile.
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she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane for the dandy a century ago. It differentiated her from others.
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It takes so little, so infinitely little, for a person to cross the border beyond which everything loses meaning: love, convictions, faith, history. Human life -- and herein lies its secret -- takes place in the immediate proximity of that border, even in direct contact with it it is not miles away, but a fraction of an inch.
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The longing for order is at the same time a longing for death, because life is an incessant disruption of order.
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People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past.
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On the surface, an intelligible lie underneath, the unintelligible truth.
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And what can life be worth if the first rehearsal for life is life itself?
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Metaphors are dangerous. Love begins with a metaphor. Which is to say, love begins at the point when a woman enters her first word into our poetic memory.
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Sometimes you make up your mind about something without knowing why, and your decision persists by the power of inertia. Every year it gets harder to change.
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Only a literary work that reveals an unknown fragment of human existence has a reason for being.
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It was futile to attack with reason the stout wall of irrational feelings that, as is known, is the stuff of which the female mind is made.
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For everyone is pained by the thought of disappearing, unheard and unseen, into an indifferent universe, and because of that everyone wants, while there is still time, to turn himself into a universe of words.
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If I had two lives, in one life I could invite her to stay at my place, and in the second life I could kick her out. Then I could compare and see which had been the best thing to do. But we only live once. Life's so light. Like an outline we can't ever fill in or correct... make any better. It's frightening.
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No one can give anyone else the gift of the idyll only an animal can do so, because only animals were not expelled from Paradise. The love between dog and man is idyllic. It knows no conflicts, no hair-raising scenes it knows no development.
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No one can get really drunk on a novel or a painting, but who can help getting drunk on Reethoven's Ninth, Rartok's Sonata for Two Pianos and Percussion, or the Reatles' White Album?
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To laugh is to live profoundly.
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Beauty has long since disappeared. It has slipped beneath the surface of the noise, the noise of words, sunk deep as Atlantis. The only thing left of it is the word, whose meaning loses clarity from year to year.
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Is a novel anything but a trap set for a hero?
Milan Kundera