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Yes, it's a well-known fact about you: you're like death, you take everything.
Milan Kundera
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Milan Kundera
Age: 95
Born: 1929
Born: April 1
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BrĂ¼nn
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More quotes by Milan Kundera
Metaphors are dangerous. Love begins with a metaphor
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And I ran after that voice through the streets so as not to lose sight of the splendid wreath of bodies gliding over the city, and I realized with anguish in my heart that they were flying like birds and I was falling like a stone, that they had wings and I would never have any.
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This symmetrical composition--the same motif at the beginning and at the end--may seem quite novelistic to you, and I am willing to agree, but only on condition that you refrain from reading such notions as fictive, fabricated, and untrue to life into the word novelistic. Because human lives are composed in precisely such a fas
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It was futile to attack with reason the stout wall of irrational feelings that, as is known, is the stuff of which the female mind is made.
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In the realm of totalitarian kitsch, all answers are given in advance and preclude any questions.
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It takes so little, so infinitely little, for a person to cross the border beyond which everything loses meaning: love, convictions, faith, history. Human life -- and herein lies its secret -- takes place in the immediate proximity of that border, even in direct contact with it it is not miles away, but a fraction of an inch.
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Jealousy has the amazing power to illuminate a single person in an intense beam of light, keeping the multitude of others in total darkness.
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The sound of laughter is like the vaulted dome of a temple of happiness.
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The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful ... Love begins at the point when a woman enters her first word into our poetic memory.
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Is not parody the eternal lot of man?
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Yes, it was too late, and Sabina knew she would leave Paris, move on, and on again, because were she to die here they would cover her up with a stone, and in the mind of a woman for whom no place is home the thought of an end to all flight is unbearable.
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Noise has one advantage. It drowns out words.
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But which was the real me? Let me be perfectly honest: I was a man of many faces. (p.33)
Milan Kundera
In the love poetry of every age, the woman longs to be weighed down by the man's body.
Milan Kundera
But if God is gone and man is no longer master, then who is master?
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Kitsch excludes everything from its purview which is essentially unacceptable in human existence.
Milan Kundera
Between the approximation of the idea and the precision of reality there was a small gap of the unimaginable, and it was this hiatus that gave him no rest.
Milan Kundera
For existential mathematics, which does not exist, would probably propose this equation: the value of coincidence equals the degree of its improbability.
Milan Kundera
The important thing is to abide by the rule of threes. Either you see a woman three times in quick succession and then never again, or you maintain relations over the years but make sure that the rendezvous are at least three weeks apart.
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What is unique about the I hides itself exactly in what is unimaginable about a person. All we are able to imagine is what makes everyone like everyone else, what people have in common. The individual I is what differs from the common stock, that is, what cannot be guessed at or calculated, what must be unveiled, uncovered, conquered.
Milan Kundera