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Facts mean little compared to attitudes. To contradict rumor or sentiment is as futile as arguing against a believer's faith in the Immaculate Conception. You have simply become a victim of faith, Comrade Assistant.

Milan Kundera

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Milan Kundera
Age: 95
Born: 1929
Born: April 1
Author
Novelist
Playwright
Poet
Screenwriter
Translator
University Teacher
Writer
Brünn
Mean
Victim
Rumor
Attitude
Sentiment
Simply
Attitudes
Immaculate
Faith
Sentiments
Contradict
Facts
Compared
Assistant
Become
Conception
Futile
Littles
Arguing
Comrade
Little
Believer
Assistants

More quotes by Milan Kundera

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In the love poetry of every age, the woman longs to be weighed down by the man's body.
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On the surface, an intelligible lie underneath, the unintelligible truth.
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But just make someone who has fallen in love listen to his stomach rumble, and the unity of body and soul, that lyrical illusion of the age of science , instantly fades away.
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Kitsch causes two tears to flow in quick succession. The first tear says: How nice to see children running on the grass! The second tear says: How nice to be moved, together with all mankind, by children running on the grass!
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loves are like empires: when the idea they are founded on crumbles, they, too, fade away.
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What is unique about the I hides itself exactly in what is unimaginable about a person. All we are able to imagine is what makes everyone like everyone else, what people have in common. The individual I is what differs from the common stock, that is, what cannot be guessed at or calculated, what must be unveiled, uncovered, conquered.
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Sensuality is the total mobilization of the senses: an individual observes his partner intently, straining to catch every sound.
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... characters are not born like people, of woman they are born of a situation, a sentence, a metaphor containing in a nutshell a basic human possibility that the author thinks no one else has discovered or said something essential about.
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The best actors do not let the wheels show.
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Two people in love, alone, isolated from the world, that's very beautiful. But what would they nourish their intimate talk with? However contemptible the world may be, they still need it to be able to talk together.
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we might also call vertigo the intoxication of the weak. aware of his weakness, a man decides to give in rather than stand up to it. he is drunk with weakness, wishes to grow even weaker, wishes to fall down in the middle of the main square in front of everybody, wishes to be down, lower than down.
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Only the basic situations in life occur only once, never to return. For a man to be a man, he must be fully aware of this never-to-return. (p.148)
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Yes, it was too late, and Sabina knew she would leave Paris, move on, and on again, because were she to die here they would cover her up with a stone, and in the mind of a woman for whom no place is home the thought of an end to all flight is unbearable.
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Kitsch excludes everything from its purview which is essentially unacceptable in human existence.
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Sad company is bad company.
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Metaphors are dangerous. Love begins with a metaphor
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Perhaps if they had stayed together longer, Sabina and Franz would have begun to understand the words they used. Gradually, timorously, their vocabularies would have come together, like bashful lovers, and the music of one would have begun to intersect with the music of the other. But it was too late now.
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Those boobs of yours are ubiquitous - like God!
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I think, therefore I am' is the statement of an intellectual who underrates toothaches.
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what's the matter? he asked nothing what do you want me to do for you? i want you to be old. ten years older. twenty years older what she meant was: i want you to be weak. as weak as i am.
Milan Kundera