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How goodness heightens beauty!

Milan Kundera

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Milan Kundera
Age: 95
Born: 1929
Born: April 1
Author
Novelist
Playwright
Poet
Screenwriter
Translator
University Teacher
Writer
Brünn
Heightens
Goodness
Beauty

More quotes by Milan Kundera

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The worth of a human being lies in the ability to extend oneself, to go outside oneself, to exist in and for other people.
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Tell me, where in life is there a value that would make us consider suicide uncalled for on principle! Love? Or friendship? I guarantee that friendship is not a bit less fickle than love and it is impossible to build anything on it. Self-love? I wish it were possible.
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Ah, ladies and gentlemen, a man lives a sad life when he cannot take anything or anyone seriously.
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The longing for order is at the same time a longing for death, because life is an incessant disruption of order.
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Facts mean little compared to attitudes. To contradict rumor or sentiment is as futile as arguing against a believer's faith in the Immaculate Conception. You have simply become a victim of faith, Comrade Assistant.
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The important thing is to abide by the rule of threes. Either you see a woman three times in quick succession and then never again, or you maintain relations over the years but make sure that the rendezvous are at least three weeks apart.
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Indeed, the only truly serious questions are ones that even a child can formulate. Only the most naive of questions are truly serious.
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... characters are not born like people, of woman they are born of a situation, a sentence, a metaphor containing in a nutshell a basic human possibility that the author thinks no one else has discovered or said something essential about.
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Yes, it's a well-known fact about you: you're like death, you take everything.
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Metaphors are dangerous. Love begins with a metaphor. Which is to say, love begins at the point when a woman enters her first word into our poetic memory.
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Why don't you ever use your strength on me? she said. Because love means renouncing strength, said Franz softly.
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Only a literary work that reveals an unknown fragment of human existence has a reason for being.
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All lovers unconsciously establish their own rules of the game, which from the outset admit of no transgression.
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The worst thing is not that the world is unfree, but that people have unlearned their liberty.
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I am not worthy of my suffering. A great sentence. It suggests not only that suffering is the basis of the self, its sole indubitable ontological proof, but also that it is the one feeling most worthy of respect the value of all values.
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Einmal ist keinmal, says Tomas to himself. What happens but once, says the German adage, might as well not have happened at all. If we have only one life to live, we might as well not have lived at all.
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The greater the ambiguity, the greater the pleasure.
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Looking out over the courtyard at the dirty walls, he realized he had no idea whether it was hysteria or love.
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The border between good and evil is terribly fuzzy.
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The novel is a meditation on existence as seen through the medium of imaginary characters.
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