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You can understand nothing about art, particularly modern art, if you do not understand that imagination is a value in itself.
Milan Kundera
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Milan Kundera
Age: 95
Born: 1929
Born: April 1
Author
Novelist
Playwright
Poet
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University Teacher
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BrĂ¼nn
Art
Nothing
Particularly
Value
Modern
Imagination
Values
Understand
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When we ignore the body, we are more easily victimized by it.
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Fortunately women have the miraculous ability to change the meaning of their actions after the event.
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Perhaps if they had stayed together longer, Sabina and Franz would have begun to understand the words they used. Gradually, timorously, their vocabularies would have come together, like bashful lovers, and the music of one would have begun to intersect with the music of the other. But it was too late now.
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Memory does not make films, it makes photographs.
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A worker may be the hammer's master, but the hammer still prevails. A tool knows exactly how it is meant to be handled, while the user of the tool can only have an approximate idea.
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But which was the real me? Let me be perfectly honest: I was a man of many faces. (p.33)
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...he took a look at the blond girl's eyes and knew that he must not take part in the rigged game in which the ephemeral passes for the eternal and the small for the big, that he must not take part in the rigged game called love.
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For the body is temporal and thought is eternal and the shimmering essence of flame is an image of thought.
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We live everything as it comes, without warning, like an actor going on cold.
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Metaphors are dangerous. Love begins with a metaphor. Which is to say, love begins at the point when a woman enters her first word into our poetic memory.
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Until that time, her betrayals had filled her with excitement and joy, because they opened up new paths to new adventures of betrayal. But what if the paths came to an end? One could betray one's parents, husband, country, love, but when parents, husband, country, and love were gone - what was left to betray?
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A novel that does not uncover a hitherto unknown segment of existence is immoral. Knowledge is the novel's only morality.
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The river flowed from century to century, and human affairs play themselves out on its banks. Play themselves out to be forgotten the next day, while the river flows on.
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For everyone is pained by the thought of disappearing, unheard and unseen, into an indifferent universe, and because of that everyone wants, while there is still time, to turn himself into a universe of words.
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Ambition is a poor excuse for not having sense enough to be lazy.
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Sleep in my arms. Like a baby bird. Like a broom among brooms... in a broom closet. Like a tiny parrot. Like a whistle. Like a little song. A song sung by a forest... within a forest... a thousand years ago.
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The border between good and evil is terribly fuzzy.
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Optimism is the opium of the people.
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The goals we pursue are always veiled. A girl who longs for marriage longs for something she knows nothing about. The boy who hankers after fame has no idea what fame is. The thing that gives our every move its meaning is always totally unknown to us.
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Yes, it was too late, and Sabina knew she would leave Paris, move on, and on again, because were she to die here they would cover her up with a stone, and in the mind of a woman for whom no place is home the thought of an end to all flight is unbearable.
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