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Hate traps us by binding us too tightly to our adversary.

Milan Kundera

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Milan Kundera
Age: 95
Born: 1929
Born: April 1
Author
Novelist
Playwright
Poet
Screenwriter
Translator
University Teacher
Writer
Brünn
Adversary
Tightly
Binding
Adversaries
Traps
Hate

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Those boobs of yours are ubiquitous - like God!
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Yes, it's a well-known fact about you: you're like death, you take everything.
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No one can get really drunk on a novel or a painting, but who can help getting drunk on Reethoven's Ninth, Rartok's Sonata for Two Pianos and Percussion, or the Reatles' White Album?
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Fortunately women have the miraculous ability to change the meaning of their actions after the event.
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To rebel against being born a woman seemed as foolish to her as to take pride in it.
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The history of music is mortal, but the idiocy of the guitar is eternal.
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For everyone is pained by the thought of disappearing, unheard and unseen, into an indifferent universe, and because of that everyone wants, while there is still time, to turn himself into a universe of words.
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[W]e must never allow the future to collapse under the burden of memory.
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Even in the game there lurks a lack of freedom even in a game is a trap for the players.
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We don't know when our name came into being or how some distant ancestor acquired it. We don't understand our name at all, we don't know its history and yet we bear it with exalted fidelity, we merge with it, we like it, we are ridiculously proud of it as if we had thought it up ourselves in a moment of brilliant inspiration.
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Only after a while did it occur to me (in spite of the chilly silence which surrounded me) that my story was not of the tragic sort, but rather of the comic variety. At any rate that afforded me some comfort.
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Nothing is more repugnant to me than brotherly feelings grounded in the common baseness people see in one another.
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The basis of shame is not some personal mistake of ours, but the ignominy, the humiliation we feel that we must be what we are without any choice in the matter, and that this humiliation is seen by everyone.
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The important thing is to abide by the rule of threes. Either you see a woman three times in quick succession and then never again, or you maintain relations over the years but make sure that the rendezvous are at least three weeks apart.
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To die to decide to die that's much easier for an adolescent than for an adult. What? Doesn't death strip an adolescent of a far larger portion of future? Certainly it does, but for a young person, the future is a remote, abstract, unreal thing he doesn't really believe in.
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Living for Sabina meant seeing. Seeing is limited by two borders: strong light, which blinds, and total darkness. Perhaps that was what motivated Sabina's distaste for all extremism. Extremes mean borders beyond which life ends, and a passion for extremism, in art and in politics, is a veiled longing for death.
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The Greek word for return is nostos. Algos means suffering. So nostalgia is the suffering caused by an unappeased yearning to return.
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People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past.
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