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Nobody else in the world has a form like the Native American musical, and Americans should be very proud.

Mikhail Baryshnikov

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Mikhail Baryshnikov
Age: 76
Born: 1948
Born: January 27
Actor
Ballet Dancer
Ballet Master
Choreographer
Dancer
Film Actor
Performing Artist
Television Actor
Rīga
Mikhail Nikolayevich Baryshnikov
American
Else
Form
Like
Native
World
Musical
Americans
Nobody
Proud

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You don't measure life by receiving awards.
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When a body moves, it's the most revealing thing. Dance for me a minute, and I'll tell you who you are.
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It's weird when you see pieces of choreography that were done for you 15 or 20 years ago and now they are being done by another dance company.
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In the second part of life you get rid of stuff you've accumulated.
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My mother had a son from previous marriage and her husband died in Second World War.
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Divinity of art, it's such a mystery. How to convince people that no matter how much money you can spend on education and art education especially, that it implants, it directs a young person for the rest of their lives, and always in the most humane and positive and dignified manner.
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When I see people on the street, I look at how they walk. It's like a signature, a fingerprint.
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Dancers are stripped enough onstage. You don't have to know more about them than they've given you already.
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He [Astaire] was not a sexual animal, but he made his partners look so extraordinarily related to him.
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I have some Russian friends. But probably only 10 percent. I don't hang out usually in the big Russian communities in Brooklyn and New Jersey.
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Obviously, the young dancers lack a certain air of maturity.
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The problem is not making up the steps but deciding which ones to keep.
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I adored my mother, and I will always have extraordinary memories about her and remember her, and she opened the doors for me to appreciate arts.
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What do dancers think of Fred Astaire? It's no secret. We hate him. He gives us a complex because he's too perfect. His perfection is an absurdity. It's too hard to face.
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I think I got disappointed over the years about New York, about the States. You know, sometimes you go and visit Europe and see good old socialism in its good part! You see public concern about art, and young people's participation and young faces in the audience.
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I feel very uneasy with a lot of aspects of the Russian life and the Russian people.
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We're trying to stretch our muscles creatively. It gives us so much more freedom.
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Creative Artists Agency put together a project of extraordinary mediocrity and colossal stupidity. Otherwise, it was great.
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A country like Belgium, or socialist countries in central Europe spend more money on art education than the United States, which is a really puzzling thought.
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What brought me to the theater, no matter you're a Jew or a Russian or Armenian or Latvian, are suddenly illuminated by stage light and one beautiful image of dance.
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