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Dances have a second and third life. You feel they are never ready. They always have a chance for another life.
Mikhail Baryshnikov
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Mikhail Baryshnikov
Age: 76
Born: 1948
Born: January 27
Actor
Ballet Dancer
Ballet Master
Choreographer
Dancer
Film Actor
Performing Artist
Television Actor
Rīga
Mikhail Nikolayevich Baryshnikov
Life
Second
Ready
Chance
Another
Feel
Feels
Dances
Always
Third
Never
Thirds
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A country like Belgium, or socialist countries in central Europe spend more money on art education than the United States, which is a really puzzling thought.
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When I see people on the street, I look at how they walk. It's like a signature, a fingerprint.
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Every ballet, whether or not successful artistically or with the public, has given me something important.
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A theater is such a revealing form of art, such a transparent and good actors, they're such powerful individuals. I always kind of dreamt that one day I will open my mouth on stage.
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I have been very lucky to work in so many new ballets, but that is what a dancer's work is.
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I get speeding ticket like everybody else. If the restaurant is full I'm waiting in line like everybody else.
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I kind of lost interest in the classical dance. I was very much interested in the modern choreography.
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I feel very uneasy with a lot of aspects of the Russian life and the Russian people.
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I have some Russian friends. But probably only 10 percent. I don't hang out usually in the big Russian communities in Brooklyn and New Jersey.
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Running a company is pretty demanding.
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Now there is in a way a renaissance of modern dance - suddenly, it is more respected and discovered.
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I've always said, 'I am a selector, I am not defector' - the first few phrases in English I learned. I said I hate 'defector' something defective about the people. It's a bad word.
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Divinity of art, it's such a mystery. How to convince people that no matter how much money you can spend on education and art education especially, that it implants, it directs a young person for the rest of their lives, and always in the most humane and positive and dignified manner.
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I like to go to anybody else's birthday, and if I'm invited I'm a good guest. But I never celebrate my birthdays. I really don't care.
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Acting is not my language at all.
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People dance at any age.
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What brought me to the theater, no matter you're a Jew or a Russian or Armenian or Latvian, are suddenly illuminated by stage light and one beautiful image of dance.
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I am teaching more. That is what I do best.
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