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Dances have a second and third life. You feel they are never ready. They always have a chance for another life.
Mikhail Baryshnikov
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Mikhail Baryshnikov
Age: 76
Born: 1948
Born: January 27
Actor
Ballet Dancer
Ballet Master
Choreographer
Dancer
Film Actor
Performing Artist
Television Actor
Rīga
Mikhail Nikolayevich Baryshnikov
Another
Feel
Feels
Dances
Always
Third
Never
Thirds
Life
Second
Ready
Chance
More quotes by Mikhail Baryshnikov
You don't measure life by receiving awards.
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I never liked dance photography it's very flat, and dance photography in the studio looks very contrived.
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I like to go to anybody else's birthday, and if I'm invited I'm a good guest. But I never celebrate my birthdays. I really don't care.
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Now there is in a way a renaissance of modern dance - suddenly, it is more respected and discovered.
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You invest into the future, and that's how young people become human in best sense of it - through the great experience of listening a Müller symphony or to see a great play by Tennessee Williams, experience something in a ballet, in a film.
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A country like Belgium, or socialist countries in central Europe spend more money on art education than the United States, which is a really puzzling thought.
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I don't try to dance better than anybody but myself.
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Working is living to me.
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When a body moves, it's the most revealing thing. Dance for me a minute, and I'll tell you who you are.
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People of art should never get married and have children, because it's a selfish experience.
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I am not the first straight dancer or the last.
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I get speeding ticket like everybody else. If the restaurant is full I'm waiting in line like everybody else.
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I would like to go and dance in Palestine one day, with great pleasure, great pleasure.
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You cannot be happy with your family while being personally unhappy with your work. It's a Catch-22 kind of thing.
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Divinity of art, it's such a mystery. How to convince people that no matter how much money you can spend on education and art education especially, that it implants, it directs a young person for the rest of their lives, and always in the most humane and positive and dignified manner.
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You can be totally involved, you could admire just the shape of or you could be totally emotionally mushed up into the dance.
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It doesn't matter how high you lift your leg. The technique is about transparency, simplicity, making an earnest attempt.
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I think art education, especially in this country, which government pretty much ignores, is so important for young people.
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I feel very uneasy with a lot of aspects of the Russian life and the Russian people.
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