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People have been very resistant to giving me more than the standard amount of money. So I keep making films on a similar scale. Which is fine, but also frustrating.

Mike Leigh

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Mike Leigh
Age: 81
Born: 1943
Born: February 20
Actor
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Film Director
Playwright
Screenwriter
Television Director
Theatrical Director
Writer
Films
Giving
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Resistant
People
Fine
Frustrating
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Keep
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More quotes by Mike Leigh

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There have always been and there always will be the peripheral sideline activities which are a form of entertainment, which is to say you pay a couple of cents and you see something freakish. That is what reality TV is.
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Some deeply untrusting actors - the kind that need to know exactly what's what and are completely insecure - might be quite good within the parameters of a certain sort of acting.
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As a general habit and general tendency, I prefer not to bog a piece down with a great number of transitory, contemporary references, because in the end, I'm concerned, not in an abstract way, but an actual way, with creating a world which has a universality to it - even though what goes on is made up of texture and detail, contemporary detail.
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My job apart from anything else is to build an ensemble composed of actors who all come from a secure place so that they can all work together to make the film.
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I discover what my film is by embarking on the journey of making it.
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Given the choice of Hollywood or poking steel pins in my eyes, I'd prefer steel pins.
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The problem with the British film industry is the nervousness and insecurity about - and genuflection toward - Los Angeles.
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Independent filmmaking has always been there and it's not to be forgotten.
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There's a constant drip and trickle of life that goes into one's awareness really and consciousness of things.
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The kind of acting that's wholly literary or cerebral is wrong. It's useless for me to have actors so much in their heads that they can't be organic.
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Resolve was never stronger than in the morning, after the night, when it was never weaker
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I can't negotiate and collaborate with a character to create a distilled dramatic investigation of the raw material. I need to work with an actor. That stuff about actors who stay in character all the time is nonsense.
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One of the reasons the whole Hollywood way of making films wouldn't work for me is because the way I operate would be anathema to anyone who wants to hold a job down in Beverly Hills.
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Given the events of even the 19th century, Zionism was inevitable. Given the events of the 20th century, Israel was inevitable.
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The delineation between the actor and his part is a practical matter. When the camera runs, you want the actor to be the character.
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The reason my films work is because every actor on set is very secure. They're able to fly.
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But actually I make films that I think are extremely sophisticated and cinematic.
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Film-makers should remain true to their principles and never compromise, there is a real revival in the British film industry but there is a danger that we will become colonial servants of Hollywood. We need to maintain our own integrity.
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It creeps up on you and becomes an obsession. It comes out of watching a million movies.
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I think it’s important that nobody forgets that although Hollywood commercially dominates the world cinema, in fact what comes out of the filmmaking here is only a tiny slice out of the massive amount of operation that goes on around the world.
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