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The delineation between the actor and his part is a practical matter. When the camera runs, you want the actor to be the character.
Mike Leigh
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Mike Leigh
Age: 81
Born: 1943
Born: February 20
Actor
Author
Film Director
Playwright
Screenwriter
Television Director
Theatrical Director
Writer
Cameras
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Actors
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Delineation
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Runs
Character
Practicals
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Practical
Camera
More quotes by Mike Leigh
It's important to be true to the events, but the most important thing is to get to the essence of the experience. Not to be bogged down in an academic way by a notion of the truth. First of all, the truth is an illusive and spurious concept.
Mike Leigh
There have always been and there always will be the peripheral sideline activities which are a form of entertainment, which is to say you pay a couple of cents and you see something freakish. That is what reality TV is.
Mike Leigh
Given the choice of Hollywood or poking steel pins in my eyes, I'd prefer steel pins.
Mike Leigh
I don't know what the character is going to be. We sit down and we create a character, and all of the characters in all of my films are made like that.
Mike Leigh
There's a constant drip and trickle of life that goes into one's awareness really and consciousness of things.
Mike Leigh
The main problem is that the Hollywood system has already made the film before the director shoots a single frame.
Mike Leigh
The reason my films work is because every actor on set is very secure. They're able to fly.
Mike Leigh
I discover what my film is by embarking on the journey of making it.
Mike Leigh
The kind of acting that's wholly literary or cerebral is wrong. It's useless for me to have actors so much in their heads that they can't be organic.
Mike Leigh
But actually I make films that I think are extremely sophisticated and cinematic.
Mike Leigh
I hope I make films where you walk away . . . with work to do, arguments to have, things to worry about, things to care about. In that sense, I would regard what I do as political.
Mike Leigh
The problem with the British film industry is the nervousness and insecurity about - and genuflection toward - Los Angeles.
Mike Leigh
When I was young I used to sit in the cinema thinking wouldn't it be great if you could have a film in which the characters were like real people instead of being like actors.
Mike Leigh
My job apart from anything else is to build an ensemble composed of actors who all come from a secure place so that they can all work together to make the film.
Mike Leigh
People have been very resistant to giving me more than the standard amount of money. So I keep making films on a similar scale. Which is fine, but also frustrating.
Mike Leigh
I think the camera has got to be motivated. You can't have things arrived at gratuitously. Everything has to have an organic function, but the more comfortable I've become and the more imaginative and sophisticated and the more exploratory I've become at the medium, the more I've subtly deviated away from that in various ways.
Mike Leigh
I think it’s important that nobody forgets that although Hollywood commercially dominates the world cinema, in fact what comes out of the filmmaking here is only a tiny slice out of the massive amount of operation that goes on around the world.
Mike Leigh
Film-makers should remain true to their principles and never compromise, there is a real revival in the British film industry but there is a danger that we will become colonial servants of Hollywood. We need to maintain our own integrity.
Mike Leigh
Some deeply untrusting actors - the kind that need to know exactly what's what and are completely insecure - might be quite good within the parameters of a certain sort of acting.
Mike Leigh
I'm old enough to have friends and contemporaries who have long since retired, and that's their prerogative - enough is enough it doesn't mean a thing to me. But I haven't got any money, so, you know, I just keep on working.
Mike Leigh