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The problem with the British film industry is the nervousness and insecurity about - and genuflection toward - Los Angeles.
Mike Leigh
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Mike Leigh
Age: 81
Born: 1943
Born: February 20
Actor
Author
Film Director
Playwright
Screenwriter
Television Director
Theatrical Director
Writer
Problem
Nervousness
Angeles
Insecurity
British
Toward
Industry
Film
More quotes by Mike Leigh
There are plenty of bad actors and there are plenty of bad directors. There are actors who will always be bad and there are good actors who you cry for because they're being badly directed or the material isn't good enough.
Mike Leigh
I wonder if I would have been capable of producing anything if I worked in a more conventional way with a prewritten script, because I'm of the procrastinator class.
Mike Leigh
I mean, artistic processes are all about making choices all the time, and the very act of making a choice is the distilling down and the getting to the core of what it is that you care about and what you want to say, really.
Mike Leigh
Given the events of even the 19th century, Zionism was inevitable. Given the events of the 20th century, Israel was inevitable.
Mike Leigh
Independent filmmaking has always been there and it's not to be forgotten.
Mike Leigh
It's important to be true to the events, but the most important thing is to get to the essence of the experience. Not to be bogged down in an academic way by a notion of the truth. First of all, the truth is an illusive and spurious concept.
Mike Leigh
There's a constant drip and trickle of life that goes into one's awareness really and consciousness of things.
Mike Leigh
Some deeply untrusting actors - the kind that need to know exactly what's what and are completely insecure - might be quite good within the parameters of a certain sort of acting.
Mike Leigh
I can't negotiate and collaborate with a character to create a distilled dramatic investigation of the raw material. I need to work with an actor. That stuff about actors who stay in character all the time is nonsense.
Mike Leigh
I'm old enough to have friends and contemporaries who have long since retired, and that's their prerogative - enough is enough it doesn't mean a thing to me. But I haven't got any money, so, you know, I just keep on working.
Mike Leigh
I think the camera has got to be motivated. You can't have things arrived at gratuitously. Everything has to have an organic function, but the more comfortable I've become and the more imaginative and sophisticated and the more exploratory I've become at the medium, the more I've subtly deviated away from that in various ways.
Mike Leigh
The main problem is that the Hollywood system has already made the film before the director shoots a single frame.
Mike Leigh
As a general habit and general tendency, I prefer not to bog a piece down with a great number of transitory, contemporary references, because in the end, I'm concerned, not in an abstract way, but an actual way, with creating a world which has a universality to it - even though what goes on is made up of texture and detail, contemporary detail.
Mike Leigh
I don't know what the character is going to be. We sit down and we create a character, and all of the characters in all of my films are made like that.
Mike Leigh
People have been very resistant to giving me more than the standard amount of money. So I keep making films on a similar scale. Which is fine, but also frustrating.
Mike Leigh
My job apart from anything else is to build an ensemble composed of actors who all come from a secure place so that they can all work together to make the film.
Mike Leigh
I discover what my film is by embarking on the journey of making it.
Mike Leigh
When I was young I used to sit in the cinema thinking wouldn't it be great if you could have a film in which the characters were like real people instead of being like actors.
Mike Leigh
But actually I make films that I think are extremely sophisticated and cinematic.
Mike Leigh
I think Michael Caine is a perfectly good actor but it's obvious he's not going to be in one of my films.
Mike Leigh
