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The problem with the British film industry is the nervousness and insecurity about - and genuflection toward - Los Angeles.

Mike Leigh

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Mike Leigh
Age: 81
Born: 1943
Born: February 20
Actor
Author
Film Director
Playwright
Screenwriter
Television Director
Theatrical Director
Writer
Nervousness
Angeles
Insecurity
British
Toward
Industry
Film
Problem

More quotes by Mike Leigh

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It's important to be true to the events, but the most important thing is to get to the essence of the experience. Not to be bogged down in an academic way by a notion of the truth. First of all, the truth is an illusive and spurious concept.
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Given the events of even the 19th century, Zionism was inevitable. Given the events of the 20th century, Israel was inevitable.
Mike Leigh
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My work is about life as you and I experience it. You're either lucky or you're not lucky either your relationship works or it doesn't.
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Film-makers should remain true to their principles and never compromise, there is a real revival in the British film industry but there is a danger that we will become colonial servants of Hollywood. We need to maintain our own integrity.
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Very occasionally I hire an actor and get it wrong. The actor just doesn't trust the process or me as fully as I thought they would. In this case, you can be quite sure that if an actor is untrusting, it's got nothing to do with me or the process.
Mike Leigh
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If a film or any piece of work doesn't entertain, it fails - and that is using the word entertain literally, meaning it holds you there and you become absorbed by it so that you don't walk away and get bored and so on.
Mike Leigh
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When I was young I used to sit in the cinema thinking wouldn't it be great if you could have a film in which the characters were like real people instead of being like actors.
Mike Leigh
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Given the choice of Hollywood or poking steel pins in my eyes, I'd prefer steel pins.
Mike Leigh
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My job apart from anything else is to build an ensemble composed of actors who all come from a secure place so that they can all work together to make the film.
Mike Leigh
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There are plenty of bad actors and there are plenty of bad directors. There are actors who will always be bad and there are good actors who you cry for because they're being badly directed or the material isn't good enough.
Mike Leigh
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There have always been and there always will be the peripheral sideline activities which are a form of entertainment, which is to say you pay a couple of cents and you see something freakish. That is what reality TV is.
Mike Leigh
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I think it’s important that nobody forgets that although Hollywood commercially dominates the world cinema, in fact what comes out of the filmmaking here is only a tiny slice out of the massive amount of operation that goes on around the world.
Mike Leigh
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Independent filmmaking has always been there and it's not to be forgotten.
Mike Leigh
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I'm old enough to have friends and contemporaries who have long since retired, and that's their prerogative - enough is enough it doesn't mean a thing to me. But I haven't got any money, so, you know, I just keep on working.
Mike Leigh
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The kind of acting that's wholly literary or cerebral is wrong. It's useless for me to have actors so much in their heads that they can't be organic.
Mike Leigh
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But actually I make films that I think are extremely sophisticated and cinematic.
Mike Leigh
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I discover what my film is by embarking on the journey of making it.
Mike Leigh
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I can't negotiate and collaborate with a character to create a distilled dramatic investigation of the raw material. I need to work with an actor. That stuff about actors who stay in character all the time is nonsense.
Mike Leigh
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I think the camera has got to be motivated. You can't have things arrived at gratuitously. Everything has to have an organic function, but the more comfortable I've become and the more imaginative and sophisticated and the more exploratory I've become at the medium, the more I've subtly deviated away from that in various ways.
Mike Leigh
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As a general habit and general tendency, I prefer not to bog a piece down with a great number of transitory, contemporary references, because in the end, I'm concerned, not in an abstract way, but an actual way, with creating a world which has a universality to it - even though what goes on is made up of texture and detail, contemporary detail.
Mike Leigh