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When I was young I used to sit in the cinema thinking wouldn't it be great if you could have a film in which the characters were like real people instead of being like actors.
Mike Leigh
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Mike Leigh
Age: 81
Born: 1943
Born: February 20
Actor
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Film Director
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Television Director
Theatrical Director
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More quotes by Mike Leigh
My work is about life as you and I experience it. You're either lucky or you're not lucky either your relationship works or it doesn't.
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Resolve was never stronger than in the morning, after the night, when it was never weaker
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The reason my films work is because every actor on set is very secure. They're able to fly.
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I think it’s important that nobody forgets that although Hollywood commercially dominates the world cinema, in fact what comes out of the filmmaking here is only a tiny slice out of the massive amount of operation that goes on around the world.
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It's important to be true to the events, but the most important thing is to get to the essence of the experience. Not to be bogged down in an academic way by a notion of the truth. First of all, the truth is an illusive and spurious concept.
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Very occasionally I hire an actor and get it wrong. The actor just doesn't trust the process or me as fully as I thought they would. In this case, you can be quite sure that if an actor is untrusting, it's got nothing to do with me or the process.
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There have always been and there always will be the peripheral sideline activities which are a form of entertainment, which is to say you pay a couple of cents and you see something freakish. That is what reality TV is.
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I can't negotiate and collaborate with a character to create a distilled dramatic investigation of the raw material. I need to work with an actor. That stuff about actors who stay in character all the time is nonsense.
Mike Leigh
I've long since stopped worrying about how I'm portrayed in the press because ultimately it's not that important. Everyone who knows me knows I do what I do with the greatest integrity.
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I'm old enough to have friends and contemporaries who have long since retired, and that's their prerogative - enough is enough it doesn't mean a thing to me. But I haven't got any money, so, you know, I just keep on working.
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Independent filmmaking has always been there and it's not to be forgotten.
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As a general habit and general tendency, I prefer not to bog a piece down with a great number of transitory, contemporary references, because in the end, I'm concerned, not in an abstract way, but an actual way, with creating a world which has a universality to it - even though what goes on is made up of texture and detail, contemporary detail.
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There are plenty of bad actors and there are plenty of bad directors. There are actors who will always be bad and there are good actors who you cry for because they're being badly directed or the material isn't good enough.
Mike Leigh
I mean, artistic processes are all about making choices all the time, and the very act of making a choice is the distilling down and the getting to the core of what it is that you care about and what you want to say, really.
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But actually I make films that I think are extremely sophisticated and cinematic.
Mike Leigh
The delineation between the actor and his part is a practical matter. When the camera runs, you want the actor to be the character.
Mike Leigh
I think Michael Caine is a perfectly good actor but it's obvious he's not going to be in one of my films.
Mike Leigh
It creeps up on you and becomes an obsession. It comes out of watching a million movies.
Mike Leigh
Given the events of even the 19th century, Zionism was inevitable. Given the events of the 20th century, Israel was inevitable.
Mike Leigh
People have been very resistant to giving me more than the standard amount of money. So I keep making films on a similar scale. Which is fine, but also frustrating.
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