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When I was young I used to sit in the cinema thinking wouldn't it be great if you could have a film in which the characters were like real people instead of being like actors.
Mike Leigh
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Mike Leigh
Age: 81
Born: 1943
Born: February 20
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More quotes by Mike Leigh
There's a constant drip and trickle of life that goes into one's awareness really and consciousness of things.
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I've long since stopped worrying about how I'm portrayed in the press because ultimately it's not that important. Everyone who knows me knows I do what I do with the greatest integrity.
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Given the events of even the 19th century, Zionism was inevitable. Given the events of the 20th century, Israel was inevitable.
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Resolve was never stronger than in the morning, after the night, when it was never weaker
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Independent filmmaking has always been there and it's not to be forgotten.
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My job apart from anything else is to build an ensemble composed of actors who all come from a secure place so that they can all work together to make the film.
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I discover what my film is by embarking on the journey of making it.
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I think the camera has got to be motivated. You can't have things arrived at gratuitously. Everything has to have an organic function, but the more comfortable I've become and the more imaginative and sophisticated and the more exploratory I've become at the medium, the more I've subtly deviated away from that in various ways.
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I can't negotiate and collaborate with a character to create a distilled dramatic investigation of the raw material. I need to work with an actor. That stuff about actors who stay in character all the time is nonsense.
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The kind of acting that's wholly literary or cerebral is wrong. It's useless for me to have actors so much in their heads that they can't be organic.
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It creeps up on you and becomes an obsession. It comes out of watching a million movies.
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I'm old enough to have friends and contemporaries who have long since retired, and that's their prerogative - enough is enough it doesn't mean a thing to me. But I haven't got any money, so, you know, I just keep on working.
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I hope I make films where you walk away . . . with work to do, arguments to have, things to worry about, things to care about. In that sense, I would regard what I do as political.
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I wonder if I would have been capable of producing anything if I worked in a more conventional way with a prewritten script, because I'm of the procrastinator class.
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I mean, artistic processes are all about making choices all the time, and the very act of making a choice is the distilling down and the getting to the core of what it is that you care about and what you want to say, really.
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My work is about life as you and I experience it. You're either lucky or you're not lucky either your relationship works or it doesn't.
Mike Leigh
Life is about luck and it's about circumstances and socioeconomic conditions and all the rest of it, but you know, you can also make choices. It's about spirit and generosity and all the other things, too.
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I am very happy to be part of European and world cinema as a British filmmaker.
Mike Leigh
It's important to be true to the events, but the most important thing is to get to the essence of the experience. Not to be bogged down in an academic way by a notion of the truth. First of all, the truth is an illusive and spurious concept.
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There have always been and there always will be the peripheral sideline activities which are a form of entertainment, which is to say you pay a couple of cents and you see something freakish. That is what reality TV is.
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