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Given the events of even the 19th century, Zionism was inevitable. Given the events of the 20th century, Israel was inevitable.

Mike Leigh

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Mike Leigh
Age: 81
Born: 1943
Born: February 20
Actor
Author
Film Director
Playwright
Screenwriter
Television Director
Theatrical Director
Writer
Events
Century
Given
Even
Zionism
Inevitable
Israel

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Independent filmmaking has always been there and it's not to be forgotten.
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Some deeply untrusting actors - the kind that need to know exactly what's what and are completely insecure - might be quite good within the parameters of a certain sort of acting.
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It creeps up on you and becomes an obsession. It comes out of watching a million movies.
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There's a constant drip and trickle of life that goes into one's awareness really and consciousness of things.
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The delineation between the actor and his part is a practical matter. When the camera runs, you want the actor to be the character.
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I'm old enough to have friends and contemporaries who have long since retired, and that's their prerogative - enough is enough it doesn't mean a thing to me. But I haven't got any money, so, you know, I just keep on working.
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I discover what my film is by embarking on the journey of making it.
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There have always been and there always will be the peripheral sideline activities which are a form of entertainment, which is to say you pay a couple of cents and you see something freakish. That is what reality TV is.
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I hope I make films where you walk away . . . with work to do, arguments to have, things to worry about, things to care about. In that sense, I would regard what I do as political.
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As a general habit and general tendency, I prefer not to bog a piece down with a great number of transitory, contemporary references, because in the end, I'm concerned, not in an abstract way, but an actual way, with creating a world which has a universality to it - even though what goes on is made up of texture and detail, contemporary detail.
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I mean, artistic processes are all about making choices all the time, and the very act of making a choice is the distilling down and the getting to the core of what it is that you care about and what you want to say, really.
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Film-makers should remain true to their principles and never compromise, there is a real revival in the British film industry but there is a danger that we will become colonial servants of Hollywood. We need to maintain our own integrity.
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The problem with the British film industry is the nervousness and insecurity about - and genuflection toward - Los Angeles.
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My work is about life as you and I experience it. You're either lucky or you're not lucky either your relationship works or it doesn't.
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If a film or any piece of work doesn't entertain, it fails - and that is using the word entertain literally, meaning it holds you there and you become absorbed by it so that you don't walk away and get bored and so on.
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I think it’s important that nobody forgets that although Hollywood commercially dominates the world cinema, in fact what comes out of the filmmaking here is only a tiny slice out of the massive amount of operation that goes on around the world.
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I am very happy to be part of European and world cinema as a British filmmaker.
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People have been very resistant to giving me more than the standard amount of money. So I keep making films on a similar scale. Which is fine, but also frustrating.
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It's important to be true to the events, but the most important thing is to get to the essence of the experience. Not to be bogged down in an academic way by a notion of the truth. First of all, the truth is an illusive and spurious concept.
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But actually I make films that I think are extremely sophisticated and cinematic.
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