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I would certainly say that films like Time Code and the Loss of Sexual Innocence were far more rewarding to me in terms of being able to move forward as a filmmaker.

Mike Figgis

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Mike Figgis
Age: 76
Born: 1948
Born: February 28
Actor
Cinematographer
Composer
Film Director
Film Producer
Film Score Composer
Screenwriter
Television Director
Writer
Carlisle (parish)
Michael Lawrence Dundus Figgis
Michael Figgis
Time
Certainly
Rewarding
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Loss
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Move
Innocence
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Sexual
Moving
Code
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You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time.
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I'm a huge fan of world cinema, because each country uses cinema in a very individual way.
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Films take up so much time, and with theatre, you do have to plan a period of time that you can be free.
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I've spent my life hearing people trying to apologize for music.
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But I don't have such a strong desire to need to get away from filmmaking.
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I might have a guitar or a piano on set to play something for the actors.
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I made my first film on 16mm. Then I began using 35mm.Then I began working in Hollywood. And I began to really understand how films were made by professionals. I have to say I wasn't very impressed.
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There's nothing quite like the idea of failing spectacularly to excite a film maker
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I like to work my camera as if it were a musical instrument.
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I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film.
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The function of camera movement is to assist the storytelling. That's all it is. It cannot be there just to demonstrate itself.
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Then I became interested in drama, and almost by accident, I drifted into film.
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I had no plans to be a director.
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I play piano and trumpet. I studied classical guitar.
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The power of sound to put an audience in a certain psychological state is vastly undervalued. And the more you know about music and harmony, the more you can do with that.
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I am intrigued enough to want to continue, and also to try and work with companies like Sony on modifying the cameras and making them more user-friendly and efficient.
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I never had any urge or desire to do like a big spectacular movie with thousands and thousands of extras. I'd rather watch paint drying. But put me in a room with three people having a hard time, like a character situation, and then you're into a really intense portraiture kind of concept.
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There's a sadness to the human condition that I think music is good for. It gives a counterpoint to the visual beauty, and adds depth to pictures that they wouldn't have if the music wasn't there.
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