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When you take the job, you never think about how many days you're going to take bullets. Sometimes you go on set and you're thinking, Ah, a day when I don't have to get shot. This is going to be a nice day.
Mike Colter
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Mike Colter
Age: 48
Born: 1976
Born: August 26
Actor
Film Actor
Television Actor
Columbia
South Carolina
Mike Randal Colter
Sometimes
Going
Never
Bullets
Think
Shot
Thinking
Days
Nice
Take
Many
More quotes by Mike Colter
I've learned over the years, when someone is complaining or wants to vent and has something they want to tell you, they don't necessarily want you to fix it.
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Things don't happen that fast in real life.
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I'm embarrassed to say that I don't have a lot of hobbies. It's not because I don't have interests, it's just that I don't have the time.
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I guess it's a bit cliché, but as an actor, I really admire good writing. There are a lot of great ideas out there, but it's the execution that really makes it work.
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Sometimes when you do things right, there's no results.
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So often, when you're playing the lead in your own show, it is all about you.
Mike Colter
Auditions are great, and you definitely want to continue to make progress as an actor, you want to continue to see some advancement in your career. But when you get out there, you don't realize how many auditions you have to go on before you actually get work.
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I've never really been into doing a lot of social media, but it's a great way for people to talk amongst themselves on a large platform and to have a large conversation with people who also enjoy the same thing.
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I met some people in college and I kept cracking away until someone pointed me in the right direction.
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I respond to powerful women. I'm not intimidated by that, I like that, it's not something I shy away from, so I don't want women who are looking for me to take care of them. To me, that's a turn-off. I respond to strong, powerful, independent women.
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Law enforcement has always had informants and people they've had to deal with, who walk a certain line. They're choosing between the lesser of two evils. They're befriend one person to gain access to another person, who's a bigger fish.
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Luke Cage is using his open hand instead of a closed fist. It's a little disrespectful but it's very effective. Some people call it a pimp slap, we call it smack-fu. He's doing you a favour by hitting you with an open hand. It hurts, it renders you unconscious but you live.
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When you're casting, you get a page or two - just enough to do the scene. Now that you're in the world, you get the whole script.
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The writers are very good about misdirection and changeups, and that's what's great about it. We always think we know what's going to happen and then they throw a curveball that you don't see coming.
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Most of the people you look at in the early days of Harlem - the zoot suits, the music, the style of fashion, the vibrant colors - that's all influences from the south.
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Dialogue is not always the best way to show emotion, to show your thought process, or to reveal yourself, as a character.
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The awkward thing is the people in the room besides us. It's not us. It's just the 20 or 30 people that are around on set, who normally wouldn't be on set. That's always interesting.
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Part of acting is always just being available emotionally and open to people.
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Comic book heroes are an important part of our culture.
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This show [Jessica Jones] was exploring the aftermath, and that is unique. You're sitting there going, I know what happens. This is the aftermath. You watch her daily life and how she dealt with people, like new prospects for love or friends that were close to her, but she didn't know if she could trust them or if they were enemies.
Mike Colter
