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It's the formulaic studio movies the make money, and when they do, the actors in them are automatically movie stars.
Mickey Rourke
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Mickey Rourke
Age: 68
Born: 1956
Born: September 16
Actor
Boxer
Character Actor
Film Actor
Film Producer
Model
Screenwriter
Television Actor
Schenectady
New York
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Automatically
Studio
Studios
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Movie
Stars
Actors
Money
Formulaic
More quotes by Mickey Rourke
I don't mind getting punched in the nose by a guy standing in front of me. It's getting stabbed in the back that I can't handle.
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I trained like an animal, but the thing is focus and concentration. When the bell rings it's like when the little red light goes on over the camera. And I can usually nail my lines on the first or second take because I'm right there.
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People ask me about that all the time. They say, Did you ever think of directing? And I say, It's completely out of the question.
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Where I come from, being a hard man is being able to take a good beating and then get back up again and carry on fighting.
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My dogs are more important than my family.
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It's always been the case that you have the really rich, and the really poor. But hey, look, all the great empires have their periods where they rule the world, and then they crumble.
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All I am hoping for is to be able to work-I think my best work is still ahead of me-I think all that I have been through in the last several years have only made me a better, more interesting actor.
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Boxers are very isolated - or isolated within their own camps.
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Evan Rachel Wood is the best actress I've ever worked with, hands down.
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Julian Schnabel painted a picture that he dedicated to my character in Rumble Fish. It was called The Motorcycle Boy. I remember when he brought it over to me at the Mayflower Hotel [in New York] years ago. This is when you and I knew each other.
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I thought my talent would transcend my outspokenness. I was wrong.
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Some of your worst gangsters are guys who were very low-key.
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I have a really good relationship with a lot of designers. I like Gaultier, Billionaire and Cavalli.
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A lot of the stuff I am now seeing is edgy, raw kinda material.
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I couldn't direct traffic. It's hard enough just acting.
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I had gotten injured during the boxing, and I was supposed to take several months off because I'd had a couple of concussions, and so I sort of just left the boxing and got into the acting by accident.
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When I did Sean Penn’s movie, I think I was living in, like, a $500-a-month room, and someone called me up or bumped into me and asked me if I’d come up to work for a day. That sort of got me going a little bit. But it wasn’t until Sin City [2005] that I kind of got back into the game.
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Years ago I realized that maybe I made mistake, politically, when I turned a lot of that stuff down. I would go off to obscure places and make movies that six people went to see.
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Since I knew wrestling was all choreographed, I thought, Oh, they don't get hurt at all. But I walked away with a renewed respect for the sport. Because I was very ignorant before - I knew nothing about it.
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Usually if you read a screenplay, no matter who's writing it, the bad guy is always written as a one-dimensional bad guy.
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