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I even had breasts that had mechanisms that could make them droop. It was a shock in the beginning. Talk about special effects!

Michelle Pfeiffer

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Michelle Pfeiffer
Age: 66
Born: 1958
Born: April 29
Actress
Beauty Pageant Contestant
Film Actor
Film Producer
Model
Singer
Stage Actor
Television Actor
Voice Actor
Santa Ana
California
Michelle Marie Pfeiffer
Talk
Droop
Even
Mechanisms
Make
Mechanism
Breasts
Shock
Beginning
Effects
Special

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Acting's an odd profession for a young person it's so extreme. You work, and the conditions are tough and the process is so immersive, and then it stops, and then there's nothing. So you have to find ways of making you feel productive when you're not actually producing anything. For a young person, that's really challenging.
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I think that I am a compulsive person, but now I'm learning to put those compulsions into healthy things.
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I guess I do a really good job at covering.
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Women are brought up to think it's acceptable to pay attention to their faces. Men translate their discomfort into their behavior.
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I like understanding what's underneath, what's really motivating people. When I was younger, I wanted to be a psychiatrist, so I think it has to do with that.
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If you think hitting 40 is liberating, wait until you hit 50 and I was surprised at how liberating it was. The anticipation of something is always much worse than the reality.
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Actually, I think that turning 29 was more difficult, because once I turned 29, I anticipated 30 for the whole year, so by the time 30 came around it really wasn't that bad.
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When I go to work and when I'm in the public eye, I take much better care of myself. Because when I'm not working, I do indulge more.
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I went to court-reporting school to study stenotyping. After awhile, whenever anybody spoke, in my mind my fingers would be punching it out. Even two years after I quit, my mind still did that.
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For me, getting comfortable with being famous was hard - that whole side of it, the loss of anonymity, the loss of privacy. Giving up that part of your life and not having control of it.
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I've always had a very extreme personality, which gets me into major trouble, I'm always all or nothing, and I don't know the world balance. I'm desperately trying to learn it because I think as you get older it becomes very important.
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I relax by taking my bicycle apart and putting it back together again.
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I like being prepared. When things are going on and I have to learn my lines at the last minute, I'm never quite secure enough to allow it to be spontaneous. So the more prepared I am, the more I'm able to kind of let it go . . .
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If I really want to do something, I'll go in and do whatever the director feels that he needs me to do.
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When I first started out, I said to myself, if this doesn't happen there will be something else that I can do. That seemed possible because I knew how to do so many different kinds of jobs.
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If I do a move I don't like, I don't want to get so upset with myself.
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People make a lot of jokes about the empty nest. Let me tell you, it is no laughing matter. It is really hard.
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When I wasn't working I didn't know what to do with myself and sort of didn't exist, in a way, when I wasn't working, so I was like two different people. I am not like that anymore.
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I've been painting off and on since I was in sixth grade. I don't paint when I'm acting - I'm not really able to split my focus that way. I do it intensely when I'm doing it, but I'm reluctant to take myself too seriously as a painter because that would mean there would be pressure to be better than I am.
Michelle Pfeiffer