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Actors are always a little high at work. Acting is their drug. So when you put the brakes on, they're naturally a little disappointed.
Michelangelo Antonioni
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Michelangelo Antonioni
Age: 94 †
Born: 1912
Born: September 29
Died: 2007
Died: July 30
Film Director
Film Editor
Film Producer
Painter
Poet
Screenwriter
Writer
An-tung-ni-ao-ni
Work
Disappointed
Always
Naturally
Drug
High
Acting
Actors
Littles
Brakes
Little
Brake
More quotes by Michelangelo Antonioni
A director is a man, therefore he has ideas he is also an artist, therefore he has imagination. Whether they are good or bad, it seems to me that I have an abundance of stories to tell. And the things I see, the things that happen to me, continually renew the supply.
Michelangelo Antonioni
Monica Vitti is astonishingly mobile. Few actresses have such mobile features. She has her own personal and original way of acting.
Michelangelo Antonioni
A man who renounces something is also a man who believes in something.
Michelangelo Antonioni
You know what I would like to do: make a film with actors standing in empty space so that the spectator would have to imagine the background of the characters.
Michelangelo Antonioni
Hollywood is like being nowhere and talking to nobody about nothing.
Michelangelo Antonioni
A scene has to have a rhythm of its own, a structure of its own.
Michelangelo Antonioni
I can't give any absolute definition of what love is, or even whether it ought to exist.
Michelangelo Antonioni
There's much talk about the problems of youth, but young people are not a problem. It's a natural evolution of things. We, who have known only how to make war and slaughter people, have no right to judge them, nor can we teach them anything.
Michelangelo Antonioni
The struggle for life is not only the material and economic one. Comfort is no protection from anxiety.
Michelangelo Antonioni
Everyone has understood me in his own way. But I would have to understand myself first in order to judge - and so far, I haven't.
Michelangelo Antonioni
I want my characters to suggest the background in themselves, even when it is not visible. I want them to be so powerfully realized that we cannot imagine them apart from their physical and social context even when we see them in empty space.
Michelangelo Antonioni
We know that behind every image revealed there is another image more faithful to reality, and in the back of that image there is another, and yet another behind the last one, and so on, up to the true image of that absolute, mysterious reality that no one will ever see.
Michelangelo Antonioni
I've always played down the drama in my films. In my main scenes, there's never an opportunity for an actor to let go of everything he's got inside. I always try to tone down the acting, because my stories demand it, to the point where I might change a script so that an actor has no opportunity to come out well.
Michelangelo Antonioni
In Blow-up I used my head instinctively!
Michelangelo Antonioni
I've made films about the middle classes because I know them best. Everyone talks about what he knows best.
Michelangelo Antonioni
Reality has a quality of freedom about it that is hard to explain.
Michelangelo Antonioni
I want an actor to try to give me what I ask in the best and most exact way possible. He mustn't try to find out more, because then there's the danger that he'll become his own director.
Michelangelo Antonioni
I forget about the relationship between myself and any actress when working with her.
Michelangelo Antonioni
I simply know what the actor's attitude should be and what he should say. He doesn't, because he can't see the relationship that begins to exist between his body and the other things in the scene.
Michelangelo Antonioni
Often to understand, we have to look into emptiness.
Michelangelo Antonioni
