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I've never had a method of working. I change according to circumstances I don't employ any particular technique or style. I make films instinctively, more with my belly than with my brain.
Michelangelo Antonioni
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Michelangelo Antonioni
Age: 94 †
Born: 1912
Born: September 29
Died: 2007
Died: July 30
Film Director
Film Editor
Film Producer
Painter
Poet
Screenwriter
Writer
An-tung-ni-ao-ni
Never
Circumstances
Style
Instinctively
Particular
Employ
Brain
Belly
Working
According
Film
Technique
Change
Method
Make
Films
More quotes by Michelangelo Antonioni
I don't want what I am saying to sound like a prophecy or anything like an analysis of modern society .... these are only feelings I have, and I am the least speculative man on earth.
Michelangelo Antonioni
I've always played down the drama in my films. In my main scenes, there's never an opportunity for an actor to let go of everything he's got inside. I always try to tone down the acting, because my stories demand it, to the point where I might change a script so that an actor has no opportunity to come out well.
Michelangelo Antonioni
Actors are always a little high at work. Acting is their drug. So when you put the brakes on, they're naturally a little disappointed.
Michelangelo Antonioni
I meant exactly what I said: that we are saddled with a culture that hasn't advanced as far as science.
Michelangelo Antonioni
A woman's sex appeal is an inner matter. It stems from her mental make-up, basically. It's an attitude, not just a question of her physical features - that arrogant quality in a woman's femininity. Otherwise, all beautiful women would have sex appeal, which is not so.
Michelangelo Antonioni
The script is simply a series of notes for the film.
Michelangelo Antonioni
I read somewhere that happiness is like the bluebird of Maeterlinck: Try to catch it and it loses its color. It's like trying to hold water in your hands. The more you squeeze it, the more the water runs away.
Michelangelo Antonioni
A scene has to have a rhythm of its own, a structure of its own.
Michelangelo Antonioni
I want my characters to suggest the background in themselves, even when it is not visible. I want them to be so powerfully realized that we cannot imagine them apart from their physical and social context even when we see them in empty space.
Michelangelo Antonioni
The photographer in Blow-Up, who is not a philosopher, wants to see things closer up. But it so happens that, by enlarging too far, the object itself decomposes and disappears. Hence there's a moment in which we grasp reality, but then the moment passes. This was in part the meaning of Blow-Up.
Michelangelo Antonioni
Often to understand, we have to look into emptiness.
Michelangelo Antonioni
Before each new setup, I chase everyone off the set in order to be alone and look through the camera. In that moment, the film seems quite easy. But then the others come in and everything becomes difficult.
Michelangelo Antonioni
In any case, the idea of giving all of reality is overly simple and absurd.
Michelangelo Antonioni
A film that can be described in words is not really a film.
Michelangelo Antonioni
The greatest danger for those working in the cinema is the extraordinary possibility it offers for lying.
Michelangelo Antonioni
All I know is that we are loaded down with old and stale stuff - habits, customs, old attitudes already dead and gone.
Michelangelo Antonioni
I am neither a sociologist nor a politician. All I can do is imagine for myself what the future will be like.
Michelangelo Antonioni
Everyone has understood me in his own way. But I would have to understand myself first in order to judge - and so far, I haven't.
Michelangelo Antonioni
Hollywood doesn't believe in the death penalty for anyone except people who get cable TV without paying for it. Hollywood is like being nowhere and talking to nobody about nothing.
Michelangelo Antonioni
Neorealism taught us to follow the characters with the camera, allowing each shot its own real interior time. Well, I became tired of all this I could no longer stand real time. In order to function, a shot must show only what is useful.
Michelangelo Antonioni
