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All I know is that we are loaded down with old and stale stuff - habits, customs, old attitudes already dead and gone.
Michelangelo Antonioni
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Michelangelo Antonioni
Age: 94 †
Born: 1912
Born: September 29
Died: 2007
Died: July 30
Film Director
Film Editor
Film Producer
Painter
Poet
Screenwriter
Writer
An-tung-ni-ao-ni
Already
Dead
Attitude
Stale
Gone
Loaded
Stuff
Attitudes
Customs
Habits
Habit
More quotes by Michelangelo Antonioni
My work is like digging, it's archaeological research among the arid materials of our times. That's how I understand my first films, and that's what I'm still doing...
Michelangelo Antonioni
I'm not rich and maybe I'll never be rich. Money is useful - yes - but I don't worship it.
Michelangelo Antonioni
I forget about the relationship between myself and any actress when working with her.
Michelangelo Antonioni
When a scene is being shot, it is very difficult to know what one wants it to say, and even if one does know, there is always a difference between what one has in mind and the result on film.
Michelangelo Antonioni
I didn't like university life much at Bologna. The subjects I studied - economics and business administration - didn't interest me. I wanted to make films. I was glad when I was graduated. Yet it's odd on graduation day, I was overcome with a terrible sadness. I realized that my youth was over and now the struggle had begun.
Michelangelo Antonioni
A man who renounces something is also a man who believes in something.
Michelangelo Antonioni
Hollywood doesn't believe in the death penalty for anyone except people who get cable TV without paying for it. Hollywood is like being nowhere and talking to nobody about nothing.
Michelangelo Antonioni
One of the problems of the future world will be the use of leisure time. How will it be filled up? Maybe drugs will be distributed free of charge by the government.
Michelangelo Antonioni
You can't go to an LSD or pot party unless you take it yourself. If I want to go, I must take drugs myself.
Michelangelo Antonioni
I read somewhere that happiness is like the bluebird of Maeterlinck: Try to catch it and it loses its color. It's like trying to hold water in your hands. The more you squeeze it, the more the water runs away.
Michelangelo Antonioni
The family today counts for less and less. Why? Who knows - the growth of science, the Cold War, the atomic bomb, the world war we've made, the new philosophies we've created certainly something is happening to man, so why go against it, why oblige this new man to live by the mechanisms and regulations of the past?
Michelangelo Antonioni
That love is a conflict seems to me obvious and natural. There isn't a single worthwhile work in world literature based on love that is only about the conquest of happiness, the effort to arrive at what we call love. It's the struggle that has always interested those who produce works of art - literature, cinema or poetry.
Michelangelo Antonioni
I've always played down the drama in my films. In my main scenes, there's never an opportunity for an actor to let go of everything he's got inside. I always try to tone down the acting, because my stories demand it, to the point where I might change a script so that an actor has no opportunity to come out well.
Michelangelo Antonioni
Neorealism taught us to follow the characters with the camera, allowing each shot its own real interior time. Well, I became tired of all this I could no longer stand real time. In order to function, a shot must show only what is useful.
Michelangelo Antonioni
Nothing regarding man is ever inhuman. That's why I make films, not iceboxes.
Michelangelo Antonioni
I've never had a method of working. I change according to circumstances I don't employ any particular technique or style. I make films instinctively, more with my belly than with my brain.
Michelangelo Antonioni
The photographer in Blow-Up, who is not a philosopher, wants to see things closer up. But it so happens that, by enlarging too far, the object itself decomposes and disappears. Hence there's a moment in which we grasp reality, but then the moment passes. This was in part the meaning of Blow-Up.
Michelangelo Antonioni
Before each new setup, I chase everyone off the set in order to be alone and look through the camera. In that moment, the film seems quite easy. But then the others come in and everything becomes difficult.
Michelangelo Antonioni
I would throw out the sense of nation, good breeding, certain forms and ceremonies that govern relationships - perhaps even jealousy. We're not aware of all of them yet, though we suffer from them. And they mislead us not only about ethics but also about aesthetics.
Michelangelo Antonioni
Normally, however, I try to avoid repetitions of any shot.
Michelangelo Antonioni
