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I read somewhere that happiness is like the bluebird of Maeterlinck: Try to catch it and it loses its color. It's like trying to hold water in your hands. The more you squeeze it, the more the water runs away.
Michelangelo Antonioni
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Michelangelo Antonioni
Age: 94 †
Born: 1912
Born: September 29
Died: 2007
Died: July 30
Film Director
Film Editor
Film Producer
Painter
Poet
Screenwriter
Writer
An-tung-ni-ao-ni
Water
Squeeze
Read
Runs
Running
Catch
Away
Somewhere
Hands
Color
Trying
Hold
Like
Loses
Happiness
Bluebird
More quotes by Michelangelo Antonioni
I've never had a method of working. I change according to circumstances I don't employ any particular technique or style. I make films instinctively, more with my belly than with my brain.
Michelangelo Antonioni
The greatest danger for those working in the cinema is the extraordinary possibility it offers for lying.
Michelangelo Antonioni
I would throw out the sense of nation, good breeding, certain forms and ceremonies that govern relationships - perhaps even jealousy. We're not aware of all of them yet, though we suffer from them. And they mislead us not only about ethics but also about aesthetics.
Michelangelo Antonioni
Reality has a quality of freedom about it that is hard to explain.
Michelangelo Antonioni
I want my characters to suggest the background in themselves, even when it is not visible. I want them to be so powerfully realized that we cannot imagine them apart from their physical and social context even when we see them in empty space.
Michelangelo Antonioni
I can't give any absolute definition of what love is, or even whether it ought to exist.
Michelangelo Antonioni
Life should be taken ironically otherwise, it becomes a tragedy.
Michelangelo Antonioni
I forget about the relationship between myself and any actress when working with her.
Michelangelo Antonioni
I simply know what the actor's attitude should be and what he should say. He doesn't, because he can't see the relationship that begins to exist between his body and the other things in the scene.
Michelangelo Antonioni
The photographer in Blow-Up, who is not a philosopher, wants to see things closer up. But it so happens that, by enlarging too far, the object itself decomposes and disappears. Hence there's a moment in which we grasp reality, but then the moment passes. This was in part the meaning of Blow-Up.
Michelangelo Antonioni
Neorealism taught us to follow the characters with the camera, allowing each shot its own real interior time. Well, I became tired of all this I could no longer stand real time. In order to function, a shot must show only what is useful.
Michelangelo Antonioni
A scene has to have a rhythm of its own, a structure of its own.
Michelangelo Antonioni
A film that can be described in words is not really a film.
Michelangelo Antonioni
Often to understand, we have to look into emptiness.
Michelangelo Antonioni
Everyone has understood me in his own way. But I would have to understand myself first in order to judge - and so far, I haven't.
Michelangelo Antonioni
There's much talk about the problems of youth, but young people are not a problem. It's a natural evolution of things. We, who have known only how to make war and slaughter people, have no right to judge them, nor can we teach them anything.
Michelangelo Antonioni
My work is like digging, it's archaeological research among the arid materials of our times. That's how I understand my first films, and that's what I'm still doing...
Michelangelo Antonioni
One of the problems of the future world will be the use of leisure time. How will it be filled up? Maybe drugs will be distributed free of charge by the government.
Michelangelo Antonioni
Actors are always a little high at work. Acting is their drug. So when you put the brakes on, they're naturally a little disappointed.
Michelangelo Antonioni
A woman's sex appeal is an inner matter. It stems from her mental make-up, basically. It's an attitude, not just a question of her physical features - that arrogant quality in a woman's femininity. Otherwise, all beautiful women would have sex appeal, which is not so.
Michelangelo Antonioni
