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I read somewhere that happiness is like the bluebird of Maeterlinck: Try to catch it and it loses its color. It's like trying to hold water in your hands. The more you squeeze it, the more the water runs away.
Michelangelo Antonioni
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Michelangelo Antonioni
Age: 94 †
Born: 1912
Born: September 29
Died: 2007
Died: July 30
Film Director
Film Editor
Film Producer
Painter
Poet
Screenwriter
Writer
An-tung-ni-ao-ni
Trying
Hold
Like
Loses
Happiness
Bluebird
Water
Squeeze
Read
Runs
Running
Catch
Away
Somewhere
Hands
Color
More quotes by Michelangelo Antonioni
Monica Vitti is astonishingly mobile. Few actresses have such mobile features. She has her own personal and original way of acting.
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I've made films about the middle classes because I know them best. Everyone talks about what he knows best.
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All I know is that we are loaded down with old and stale stuff - habits, customs, old attitudes already dead and gone.
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I'm not rich and maybe I'll never be rich. Money is useful - yes - but I don't worship it.
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A film you can explain in words is not a real film.
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Reality has a quality of freedom about it that is hard to explain.
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Before each new setup, I chase everyone off the set in order to be alone and look through the camera. In that moment, the film seems quite easy. But then the others come in and everything becomes difficult.
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Hollywood doesn't believe in the death penalty for anyone except people who get cable TV without paying for it. Hollywood is like being nowhere and talking to nobody about nothing.
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There's much talk about the problems of youth, but young people are not a problem. It's a natural evolution of things. We, who have known only how to make war and slaughter people, have no right to judge them, nor can we teach them anything.
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A man who renounces something is also a man who believes in something.
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My work is like digging, it's archaeological research among the arid materials of our times. That's how I understand my first films, and that's what I'm still doing...
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A film that can be described in words is not really a film.
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I forget about the relationship between myself and any actress when working with her.
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Often to understand, we have to look into emptiness.
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I want my characters to suggest the background in themselves, even when it is not visible. I want them to be so powerfully realized that we cannot imagine them apart from their physical and social context even when we see them in empty space.
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You know what I would like to do: make a film with actors standing in empty space so that the spectator would have to imagine the background of the characters.
Michelangelo Antonioni
A woman's sex appeal is an inner matter. It stems from her mental make-up, basically. It's an attitude, not just a question of her physical features - that arrogant quality in a woman's femininity. Otherwise, all beautiful women would have sex appeal, which is not so.
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The photographer in Blow-Up, who is not a philosopher, wants to see things closer up. But it so happens that, by enlarging too far, the object itself decomposes and disappears. Hence there's a moment in which we grasp reality, but then the moment passes. This was in part the meaning of Blow-Up.
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One of the problems of the future world will be the use of leisure time. How will it be filled up? Maybe drugs will be distributed free of charge by the government.
Michelangelo Antonioni
I want an actor to try to give me what I ask in the best and most exact way possible. He mustn't try to find out more, because then there's the danger that he'll become his own director.
Michelangelo Antonioni
