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I read somewhere that happiness is like the bluebird of Maeterlinck: Try to catch it and it loses its color. It's like trying to hold water in your hands. The more you squeeze it, the more the water runs away.
Michelangelo Antonioni
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Michelangelo Antonioni
Age: 94 †
Born: 1912
Born: September 29
Died: 2007
Died: July 30
Film Director
Film Editor
Film Producer
Painter
Poet
Screenwriter
Writer
An-tung-ni-ao-ni
Away
Somewhere
Hands
Color
Trying
Hold
Like
Loses
Happiness
Bluebird
Water
Squeeze
Read
Runs
Running
Catch
More quotes by Michelangelo Antonioni
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All I know is that we are loaded down with old and stale stuff - habits, customs, old attitudes already dead and gone.
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I would throw out the sense of nation, good breeding, certain forms and ceremonies that govern relationships - perhaps even jealousy. We're not aware of all of them yet, though we suffer from them. And they mislead us not only about ethics but also about aesthetics.
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A man who renounces something is also a man who believes in something.
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Reality has a quality of freedom about it that is hard to explain.
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Hollywood doesn't believe in the death penalty for anyone except people who get cable TV without paying for it. Hollywood is like being nowhere and talking to nobody about nothing.
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I didn't like university life much at Bologna. The subjects I studied - economics and business administration - didn't interest me. I wanted to make films. I was glad when I was graduated. Yet it's odd on graduation day, I was overcome with a terrible sadness. I realized that my youth was over and now the struggle had begun.
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Hollywood is like being nowhere and talking to nobody about nothing.
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When man becomes reconciled to nature, when space becomes his true background, these words and concepts will have lost their meaning, and we will no longer have to use them.
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Violence is not the only means of persuasion.
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A film you can explain in words is not a real film.
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You can't go to an LSD or pot party unless you take it yourself. If I want to go, I must take drugs myself.
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I forget about the relationship between myself and any actress when working with her.
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That love is a conflict seems to me obvious and natural. There isn't a single worthwhile work in world literature based on love that is only about the conquest of happiness, the effort to arrive at what we call love. It's the struggle that has always interested those who produce works of art - literature, cinema or poetry.
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Sometimes actors' mistakes give me ideas I can use, because mistakes are always sincere, absolutely sincere.
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The script is simply a series of notes for the film.
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In any case, the idea of giving all of reality is overly simple and absurd.
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I've never had a method of working. I change according to circumstances I don't employ any particular technique or style. I make films instinctively, more with my belly than with my brain.
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