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The greatest danger for those working in the cinema is the extraordinary possibility it offers for lying.
Michelangelo Antonioni
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Michelangelo Antonioni
Age: 94 †
Born: 1912
Born: September 29
Died: 2007
Died: July 30
Film Director
Film Editor
Film Producer
Painter
Poet
Screenwriter
Writer
An-tung-ni-ao-ni
Lying
Cinema
Extraordinary
Offers
Possibility
Danger
Greatest
Working
More quotes by Michelangelo Antonioni
Reality has a quality of freedom about it that is hard to explain.
Michelangelo Antonioni
You know what I would like to do: make a film with actors standing in empty space so that the spectator would have to imagine the background of the characters.
Michelangelo Antonioni
That love is a conflict seems to me obvious and natural. There isn't a single worthwhile work in world literature based on love that is only about the conquest of happiness, the effort to arrive at what we call love. It's the struggle that has always interested those who produce works of art - literature, cinema or poetry.
Michelangelo Antonioni
In any case, the idea of giving all of reality is overly simple and absurd.
Michelangelo Antonioni
Before each new setup, I chase everyone off the set in order to be alone and look through the camera. In that moment, the film seems quite easy. But then the others come in and everything becomes difficult.
Michelangelo Antonioni
Nothing regarding man is ever inhuman. That's why I make films, not iceboxes.
Michelangelo Antonioni
I've always dreamed of getting to know the women of other countries better. When I was a boy, I remember, I used to get angry at the thought that I did not know German or American or Swedish women.
Michelangelo Antonioni
Hollywood doesn't believe in the death penalty for anyone except people who get cable TV without paying for it. Hollywood is like being nowhere and talking to nobody about nothing.
Michelangelo Antonioni
All I know is that we are loaded down with old and stale stuff - habits, customs, old attitudes already dead and gone.
Michelangelo Antonioni
The script is simply a series of notes for the film.
Michelangelo Antonioni
The photographer in Blow-Up, who is not a philosopher, wants to see things closer up. But it so happens that, by enlarging too far, the object itself decomposes and disappears. Hence there's a moment in which we grasp reality, but then the moment passes. This was in part the meaning of Blow-Up.
Michelangelo Antonioni
Hollywood is like being nowhere and talking to nobody about nothing.
Michelangelo Antonioni
A scene has to have a rhythm of its own, a structure of its own.
Michelangelo Antonioni
A woman's sex appeal is an inner matter. It stems from her mental make-up, basically. It's an attitude, not just a question of her physical features - that arrogant quality in a woman's femininity. Otherwise, all beautiful women would have sex appeal, which is not so.
Michelangelo Antonioni
I believe in the autobiographical concept only to the degree that I am able to put onto film all that's passing through my head at the moment of shooting.
Michelangelo Antonioni
Monica Vitti is astonishingly mobile. Few actresses have such mobile features. She has her own personal and original way of acting.
Michelangelo Antonioni
A man who renounces something is also a man who believes in something.
Michelangelo Antonioni
I've never had a method of working. I change according to circumstances I don't employ any particular technique or style. I make films instinctively, more with my belly than with my brain.
Michelangelo Antonioni
The family today counts for less and less. Why? Who knows - the growth of science, the Cold War, the atomic bomb, the world war we've made, the new philosophies we've created certainly something is happening to man, so why go against it, why oblige this new man to live by the mechanisms and regulations of the past?
Michelangelo Antonioni
I forget about the relationship between myself and any actress when working with her.
Michelangelo Antonioni
